It is now time for another piece of orchestral music, and a good waltz is suggested—“The Merry Widow,” or something of that kind, played by a good band, and of a rather catchy nature.
If you divide the entertainment into two parts, the familiar intermezzo of the “Cavalleria Rusticana” makes a very suitable overture for the second part. Obtain it on a good orchestra, and not as a piano or violin solo. Failing this any of Puccini’s overtures are good for such an occasion.
The second part of the programme should be constructed on very much the same principles as the first. A few classical pieces can be introduced—Wagner and Grieg, Schubert and Elgar, and similar contrasts.
Tenor, bass, soprano and contralto solos should be fitted in between the heavier items, whilst instrumental solos are generally highly appreciated amongst really musical audiences. Do not let the selections be too long, however.
Before closing the entertainment with “The Star Spangled Banner,” have a good orchestral waltz to put every one in good humor.
General Arrangements
And now for a few hints as to the actual performance. Do not be too ready to give encores. Many people really dislike to hear a thing twice, and unless you see there is a very general desire amongst your audience for a repetition, pass on to the next item immediately.
Have the seats comfortably arranged, and see that every one is seated before beginning your programme. Copies of the programme should be handed to each person present, and the name and number announced before starting the machine. Be careful that no hitch occurs in the arrangements.
Remember that the greatest of artists can be called to your assistance—Caruso, Melba, Patti, Albani, Tamagno (who though dead yet sings), Constantino, Tetrazzini, and numberless other great singers and musicians are at your beck and call, ready to sing to your friends or to exert their greatest talents on your behalf. Avail yourselves of them unsparingly, and you cannot miss success.
A Sunday programme is no more difficult to arrange. Magnificent records of the “Messiah,” “Elijah,” and many other great oratorios can be obtained, whilst numberless hymns and anthems are possible to the gramophone, sung by some of the finest choirs.