In "Down-and-back," Ju., "Up-and-back," j. (forming Fr.), see [Notation], the side goes forward and back as described (see p. [40]) for four bars; jumps together on half-bar of bar 4, still facing in the same direction. That completes "Down-and-back," Ju. Then, instantly, they all make a complete turn to the right—right-about—dance as before in bars 5 to 8, and on last half-bar of bar 8 all jump, and as they jump make a half-turn inward. That completes "Up-and-back," j. (forming Fr.).
The Chain, though it is executed in Column formation, follows upon a figure executed in Front. So the preliminary jump, before beginning Chain, is made Front; files make half-Chain, end numbers change places, and at half-bar of bar 4, all jump, j., in a half-turn to Front; then complete Chain and jump to Front again, j., on last half-bar of bar 8.
In "Cross-over," "Back-to-back," "Go-and-come," all executed in Front formation, the whole side jumps in position, Ju., at half-bar in bars 4 and 8.
In Corners and Capers, wherever opposites change places, the rule is that they jump on last half-bar, as they finish their part in the figure—that is, as they complete the movement of changing or re-changing places.
In "Blue-eyed Stranger," where the whole side dances in position for eight bars, all jump at half-bar in bar 8. Should the side elect to keep up the step for sixteen bars (see p. [50]), then all jump at half-bar in bar 16.
In "Bluff King Hal" and "Morris Off," there is no Jump at all.
THE HANDS.
The movements of the hands are made invariably according to rule, as follows:—
These rules apply, as with the Jump, to all Handkerchief and Corner dances.