Rev. J. Beanland, Photo.]

EARLY APSIDAL CHAPEL WITH LATER CHAPEL SUPERIMPOSED.

The former died at Ripon. Indeed, the Archbishops had been in the habit of residing here since the end of the tenth century, and they duly appear in Domesday Book as lords of the manor, of which the canons’ land is apparently treated as a part. It is worthy of note that Domesday Book records also the ‘soc’ jurisdiction and freedom from taxation which are mentioned in the ‘Athelstan’ charters. The exemption also from the king’s officers which is set forth in the same charters, was proved in 1106, when an attempted invasion of the liberties of the Church by the Sheriff of York was successfully resisted by Archbishop Gerard before arbitrators appointed by Henry I. This king also exempted the lands of Ripon from castle-building, and granted to the Canons and the Archbishop a fair at the feast of St. Wilfrid’s translation (April 24th). In the next century fairs were also claimed for the feast of his Depositio (October 12th), and for the feasts of St. Michael and of the Finding of the Holy Cross.

Archbishop Thomas II. (1109-1114) founded the Hospital of St. John the Baptist, and another Hospital, that of St. Mary Magdalen, of which the chapel remains, was founded by his successor, Archbishop Thurstan (1114-1141). Both these Hospitals were affiliated to the Church, and the masterships were in the gift of the Archbishop. St. John’s afforded shelter to poor travellers who came in through the forest which then adjoined the town. When the forest was cleared, the endowment provided exhibitions for a few poor boys, who lived here while they pursued their studies in “grammar” (perhaps at the Grammar School), with a view to becoming clerks. The two hospitals, and a third which was founded later, were placed at three of the principal entrances to the town, with the express intention, perhaps, of assisting the pilgrims who resorted to the shrine of St. Wilfrid.

Thurstan added one more canon to the staff by founding the prebend of Sharow. He may also be called the founder of Fountains Abbey, which was built on land assigned by him out of his domain of Ripon.

In the troubles of the reign of Stephen, Ripon took no small share. When the Scots descended into Yorkshire, nominally to aid the Empress Maud, Thurstan sent against them all the levies which an archbishop, as a feudal baron, could muster, including doubtless the men of his manor of Ripon, and the victory which they won near Northallerton in 1138 is known as the Battle of the Standard, from the banners of the three mother-churches—Ripon, York, and Beverley—which waved over the English army. Ripon was soon to experience the anarchy which prevailed toward the end of the war. In 1140 Alan, Earl of Richmond, entrenched himself on a neighbouring hill and grievously oppressed the town and its inhabitants. Led by him, the large landholders in the neighbourhood broke open the storehouses and granaries of the archbishop, and in 1143 Earl Alan himself burst into the church with an armed band and attacked Archbishop William Fitzherbert (afterwards St. William of York), who was standing by St. Wilfrid’s shrine. The Archbishop’s offence may have been that he was the king’s nephew. At any rate he was detested by the Cistercians, who were strongly represented here by Fountains Abbey, and Ripon seems to have sided with them, for in 1148, when Archbishop William was temporarily deprived of his office, it was to Ripon that his supplanter, Archbishop Murdac, retired when he durst not enter York. Stephen confirmed to the College all the privileges granted by his predecessors.

Building of the Present Church.—The reign of Henry II. is marked by another rebuilding of the church. William was succeeded in 1154 (the year of the king’s accession) by Archbishop Roger de Pont l’Evêque (1154-1181). This prelate is known in politics for his opposition to Thomas à Becket, and in art for his prominent share in the development of our national architecture. There is perhaps no more important example of the transition from the Norman to the Early English style than his work at Ripon. With the exception of the crypt under the present crossing, and of some Norman work south of the present choir, he rebuilt the whole church, and history has recorded the wording of a deed in which he gives “£1000 of the old coinage for the building of the basilica ... which we have begun afresh.”[12] Roger’s church was a cruciform building, and its nave had no aisles. A great portion of his work remains—the two transepts, half of the central tower, and portions of the nave and choir. The plan (see below, [p. 67]) was typical of the early history of the place and of its subsequent conversion from a monastery into a college of secular canons; for the aisleless cruciform arrangement in churches was developed from a combination of the Scottish type with the Roman or basilican, and the absence of aisles was, or rather had been at a slightly earlier period, the recognized mark of a secular as opposed to a monastic church. In giving aisles to the choir Roger’s plan was singular, for it was not usual for a choir to have aisles when the nave had none. Except by the addition of nave-aisles, the dimensions of his plan (as Walbran remarked) have not been materially exceeded; and Ripon is an example of the size to which churches of canons often attained, in spite of the fact that their plan was generally that of a mere parish church.