Indian Child Life

by Charles A. Eastman

Thus the unconscious little Winona has passed the first stage of the Indian's christening.

Presently she is folded into a soft white doeskin, well lined with the loose down of cattails, and snugly laced into an upright oaken cradle, the front of which is a richly embroidered buckskin bag, with porcupine quills and deer's hoofs suspended from its profuse fringes. This gay cradle is strapped upon the second grandmother's back, and that dignitary walks off with the newcomer.

"You must come with me," she says. "We shall go among the father and mother trees, and hear them speak with their thousand tongues, that you may know their language forever. I will hang the cradle of the woman-child upon Utuhu, the oak; and she shall hear the love-sighs of the pine maiden!"

In this fashion Winona is introduced to nature and becomes at once "nature-born," in accord with the beliefs and practices of the wild red man.

The baby girl is called Winona for some months, when the medicine-man is summoned and requested to name publicly the first-born daughter of Chetonska, the White Hawk; but not until he has received a present of a good pony with a finely painted buffalo-robe. It is usual to confer another name besides that of the "First-born," which may be resumed later if the maiden proves worthy. The name Winona implies much of honor. It means charitable, kind, helpful; all that an eldest sister should be!

The herald goes around the ring of lodges announcing in singsong fashion the christening, and inviting everybody to a feast in honor of the event. A real American christening is always a gala occasion, when much savage wealth is distributed among the poor and old people. Winona has only just walked, and this fact is also announced with additional gifts. A well-born child is ever before the tribal eye and in the tribal ear, as every little step in its progress toward manhood or womanhood—the first time of walking or swimming, first shot with bow and arrow (if a boy), first pair of moccasins made (if a girl)—is announced publicly with feasting and the giving of presents.

So Winona receives her individual name of Tatiyopa, or Her Door. It is symbolic, like most Indian names, and implies that the door of the bearer is hospitable and her home attractive.

The two grandmothers, who have carried the little maiden upon their backs, now tell and sing to her by turns all the legends of their most noted female ancestors, from the twin sisters of the old story, the maidens who married among the star people of the sky, down to their own mothers. All their lullabies are feminine, and designed to impress upon her tender mind the life and duties of her sex.

As soon as she is old enough to play with dolls, she plays mother in all seriousness and gravity. She is dressed like a miniature woman (and her dolls are clad likewise), in garments of doeskin to her ankles, adorned with long fringes, embroidered with porcupine quills, and dyed with root dyes in various colors. Her little blanket or robe, with which she shyly drapes or screens her head and shoulders, is the skin of a buffalo calf or a deer, soft, white, embroidered on the smooth side, and often with the head and hoofs left on.

"You must never forget, my little daughter, that you are a woman like myself. Do always those things that you see me do," her mother often admonishes her.