Later, when the children have learned to act out the story well, as the teacher repeats it, the teacher writes the first line at the board, and, pointing to it, asks the children to do what the board directs. They cannot tell what it is, so the teacher says, "The board is talking to Thumbkin," writing the name on the board as she says it. "What do you think it wants Thumbkin to do?" pointing to Dance in the line on the board. The next line is written on the board. The children quite likely will guess rightly what it says, because of its setting. If not, the teacher will help them as at first. In the same way they connect the third and fourth lines with the oral expression of the same, and act them out accordingly. That the children respond readily to the directions as written is no proof, at first, that they know even most of the words in the lines. The teacher's test is a part of the play. To-day, instead of writing the first line, she writes the second. Many get caught. They will be more alert another time. As they can never tell which line will appear first, they learn to discriminate by giving closer attention to the form of the words.

Sometimes the teacher writes the six names—Thumbkin, Foreman, etc., and Merrymen, on the board. She points to the name or names of the one, or ones, that should dance. The children do not like to make mistakes in responding with the fingers.

Sometimes the teacher points to a name on the board, as Foreman, and writes "dance alone," or "dance every one." The alert children see that the latter does not apply.

The words are not drilled upon. The game, with variations sometimes, is played quite frequently, but never so long at a time that the children weary of it. Three or four plays or games are given at a single recitation. The interests of the children are studied, and rhymes which they do not enjoy as reading material are dropped, and others substituted. The rhymes should often be repeated, just as they occur in "Mother Goose," that the children may not forget them.

2. Eye winker.
Tom tinker.
Mouth eater.
Chin chopper.
Chin chopper.

The children point to the parts of the face as they are named. They first learn to give the rhyme with its accompanying motion orally, then they respond to it as written on the board (Tom tinker is the other eye). When they do this readily the directions are written out of their order. This tests the children's ability to distinguish one form from another. No child likes to give the wrong motion in response to a direction, e.g., point to his mouth when Eye winker is called for.

3. The children, we will suppose, know a number of rhymes, as, e.g.,

A diller, a dollar, a ten o'clock scholar.
A little boy went into a barn.
Baa, baa, black sheep.
Rain, rain, go away, etc.

The teacher writes the first line of one of these rhymes on the board and asks a child to give the rhyme. He cannot at first. Later he will learn to recognize it; so with all the rhymes he knows. When he can give any rhyme called for in response to the first line as written at the board, another line (not the first) is written, and the child asked to give the rhyme of which it is a part.

4. Is John Smith within?
Yes, that he is.
Can he set a shoe?
Ay, marry, two.
Here a nail and there a nail,
Tick, tack, too.