A GIRL WAITS
Lamo, sprawling on a sun-baked plain perhaps a mile from the edge of the desert, was one of those towns which owed its existence to the instinct of men to foregather. It also was indebted for its existence to the greed of a certain swarthy-faced saloon-keeper named Joel Ladron, who, anticipating the edict of a certain town marshal of another town that shall not be mentioned, had piled his effects into a prairie schooner—building and goods—and had taken the south trail—which would lead him wherever he wanted to stop.
It had chanced that he had stopped at the present site of Lamo. Ladron saw a trail winding over the desert, vanishing into the eastern distance; and he knew that where trails led there were sure to be thirsty men who would be eager to look upon his wares.
Ladron’s history is not interesting. As time fled to the monotonous clink of coins over the bar he set up in the frame shack that faced the desert trail, Ladron’s importance in Lamo was divided by six.
The other dispensers had not come together; they had appeared as the needs of the population seemed to demand—and all had flourished.
Lamo’s other buildings had appeared without ostentation. There were twenty of them. A dozen of the twenty, for one reason or another, need receive no further mention. Of the remaining few, one was occupied by Sheriff Gage; two others by stores; one answered as an office and storage-room for the stage company; and still another was distinguished by a crude sign which ran across its weather-beaten front, bearing the legend: “Lamo Eating-House.” The others were private residences.
Lamo’s buildings made some pretense of aping the architecture of buildings in other towns. The eating-house was a two-story structure, with an outside stairway leading to its upper floor. It had a flat roof and an adobe chimney. Its second floor had been subdivided into lodging-rooms. Its windows were small, grimy.
Not one of Lamo’s buildings knew paint. The structures, garish husks of squalor, befouled the calm, pure atmosphere, and mocked the serene majesty of nature.
For, beginning at the edge of “town,” a contrast to the desert was presented by nature. It was a mere step, figuratively, from that land from which came the whisper of death, to a wild, virgin section where the hills, the green-brown ridges, the wide sweeps of plain, and the cool shadows of timber clumps breathed of the promise, the existence, of life.
To Barbara Morgan, seated at one of the east windows of the Lamo Eating-House—in the second story, where she could look far out into the desert—the contrast between the vivid color westward and the dun and dead flatness eastward, was startling. For she knew her father had entered the desert on his way to Pardo, on some business he had not mentioned; and the whispered threat that the desert carried was borne to her ears as she watched.