The music of this opera is so fresh, so full of gaiety and of charming melodies, that it might be compared with Lortzing's "Czar and Zimmermann", if only the text were as well done. Unhappily it lacks all the advantages which characterize the opera just named, as it is frivolous, without possessing the grace and "esprit", which distinguish French composition of a similar kind.
Nevertheless the good music prevails over the bad text, and the opera holds its own with success in every German theatre.
The contents of the libretto are the following:
A schoolmaster, Baculus by name, has had the misfortune unintentionally to shoot a roe-buck, belonging to the forest of his master, Count of Eberbach. Baculus, who is on the eve of his wedding with a young girl, named Gretchen, is much afraid, when the consequences of his unlucky shot show themselves in the shape of a summons to the castle, where he is looked on as a poacher, and is in danger of losing his position. His bride offers to entreat the Count to pardon him, but the jealous old schoolmaster will not allow it. In this embarrassing position the Baroness Freimann, a young widow appears, disguised in the suit of a student, and accompanied by her chambermaid Nanette, who is dressed as her famulus or valet. Hearing of the schoolmaster's misfortune, she proposes to put on Gretchen's clothes and to crave the Count's pardon under the bride's name. Baculus gladly accepts the student's proposal and accompanies him to the castle. Everybody is charmed by the graces and naïveté of the country-girl. The Count tries to make love to her, while Baron Kronthal, who is present, is so much enamoured, that he thinks of marrying her despite her low birth. Kronthal is the Countess of Eberbach's brother, but she does not know him as such, though she feels herself greatly attracted by him. In order to save the girl from persecution, the Countess takes her with her into her room. Meanwhile the Count offers the sum of 5000 thalers to Baculus for the renunciation of his bride. The silly schoolmaster accepts the offer, thinking that the Count wishes to win the real Gretchen. By waking the latter's vanity, he succeeds in turning her affection to the Count, but great is his perplexity, when the Count rejects his bride and scornfully asks for the other Gretchen. Baculus avows at last, that the latter is a disguised student. Baron Kronthal, full of wrath, asks for satisfaction, the student having passed the night in his sister's room. On this occasion the others for the first time hear that the Countess is the Baron's sister. He demands an explanation and then it is discovered that the student is the Baroness Freimann, sister of the Count of Eberbach. Everybody is content, for the Count, who was detected in the act of kissing the country-girl, declares, that with him it was the voice of nature that spoke, and the Countess, to whom he now presents Kronthal as her brother, makes a like statement. The unhappy Baculus receives full pardon from the Count, on condition that he will, henceforth teach the children of the village, instead of shooting game.
THE POSTILION OF LONGJUMEAU.
Comic Opera in three acts by ADOLPHE ADAM.
Text by LEUVEN and BRUNSWICK.
This charming little opera is well worthy of being named among the best of its kind, both on account of its delightful music and because the text is so entertaining and funny as entirely to captivate the hearer's interest.
The whole opera is essentially French in the best sense of the word and we scarce can find a more graceful and witty composition. Its subject, written originally in good French verse is as follows:
Chapelou, stage-driver at Longjumeau is about to celebrate his marriage with the young hostess of the post-house, Madelaine. The wedding has taken place and the young bride is led away by her friends, according to an old custom, while her bridegroom is held back by his comrades, who compel him to sing. He begins the romance of a young postilion, who had the luck to be carried away by a Princess, having touched her heart by his beautiful playing on the cornet. Chapelou has such a fine voice, that the Superintendent of the Grand Opera at Paris, the Marquis de Corcy, who hears him, is enchanted, and being in search of a good tenor, succeeds in winning over Chapelou, who consents to leave his young wife in order to follow the Marquis' call to glory and fortune. He begs his friend Bijou, a smith, to console Madeleine, by telling her that he will soon return to her. While Madeleine calls for him in tenderest accents, he drives away with his protectors and Bijou delivers his message, determined to try his fortune in a similar way. The desperate Madeleine resolves to fly from the unhappy spot, where everything recalls to her her faithless husband.