LE ROI L'A DIT.
(THE KING HAS SAID IT.)
Comic Opera in three acts by LÉON DÉLIBES.
Text by EDMOND GONDINET.
It is impossible to imagine music more charming or more full of grace and piquancy, than that which we find in this delightful opera. Every part abounds in exquisite harmonies, which no words can give any idea of. On hearing them one is compelled to the conclusion, that all the graces have stood godmother to this lovely child of their muse.
The libretto though on the whole somewhat insipid, is flavored with naïve and goodnatured coquetry, which lends a certain charm to it.
The Marquis de Moncontour has long wished to be presented to the King Louis XIV., and as he has been fortunate enough to catch the escaped paroquet of Mme. de Maintenon, he is at last to have his wish accomplished. By way of preparation for his audience he tries to learn the latest mode of bowing, his own being somewhat antiquated and the Marquise and her four lovely daughters and even Javotte, the nice little ladies'-maid, assist him. After many failures the old gentleman succeeds in making his bow to his own satisfaction, and he is put into a litter, and born off, followed by his people's benedictions. When they are gone, Benoit, a young peasant comes to see Javotte, who is his sweetheart. He wishes to enter the Marquis' service. Javotte thinks him too awkward, but she promises to intercede in his favor with Miton, a dancing-master, who enters just as Benoit disappears. He has instructed the graceful Javotte in all the arts and graces of the noble world, and when he rehearses the steps and all the nice little tricks of his art with her, he is so delighted with his pupil, that he pronounces her manners worthy of a Princess; but when Javotte tells him that she loves a peasant, he is filled with disgust and orders her away. His real pupils, the four lovely daughters of the Marquis now enter and while the lesson goes on, Miton hands a billet-doux from some lover to each of them. The two elder, Agatha and Chimene, are just in the act of reading theirs, when they hear a serenade outside, and shortly afterwards the two lovers are standing in the room, having taken their way through the window. The Marquis Flarembel and his friend, the Marquis de la Bluette are just making a most ardent declaration of love, when Mme. la Marquise enters to present to her elder daughters the two bridegrooms she has chosen for them. The young men hide behind the ample dresses of the young ladies, and all begin to sing with great zeal, Miton beating the measure, so that some time elapses, before the Marquise is able to state her errand. Of course her words excite great terror, the girls flying to the other side of the room with their lovers and receiving the two elderly suitors, Baron de Merlussac and Gautru, a rich old financier, with great coolness and a refusal of their costly gifts. When the suitors are gone, the two young strangers are detected and the angry mother decides at once to send her daughters to a convent, from which they shall only issue on their wedding-day.
When they have departed in a most crest-fallen condition, the old Marquis returns from his audience with the King and relates its astounding results. His Majesty had been so peremptory in his questioning about the Marquis' son and heir, that the Marquis, losing his presence of mind, promised to present his son at Court on the King's demand. The only question now is where to find a son to adopt, as the Marquis has only four daughters. Miton, the ever-useful, at once presents Benoit to the parents, engaging himself to drill the peasant into a nice cavalier in ten lessons. Benoit takes readily to his new position; he is fitted out at once and when the merchants come, offering their best in cloth and finery, he treats them with an insolence, worthy of the proudest Seigneur. He even turns from his sweet-heart Javotte.
In the second act Benoit, dressed like the finest cavalier, gives a masked ball in his father's gardens. Half Versailles is invited, but having taken the Court Almanac to his aid, he has made the mistake of inviting many people who have long been dead. Those who do appear, seem to him to be very insipid, and wanting some friends with whom he can enjoy himself, the useful Miton presents the Marquis de la Bluette and de Flarembel, who are delighted to make the acquaintance of their sweethearts' brother.
Benoit hears from them, that he has four charming sisters, who have been sent to a convent and he at once promises to assist his new friends. Meanwhile Javotte appears in the mask of an oriental Queen and Benoit makes love to her, but he is very much stupified when she takes off her mask, and he recognizes Javotte. She laughingly turns away from him, when the good-for-nothing youth's new parents appear, to reproach him with his levity. But Benoit, nothing daunted rushes away, telling the Marquis that he intends to visit his sisters in the convent. Miton tries in vain to recall him. Then the two old suitors of Agathe and Chimene appear, to complain that their deceased wife and grand-mother were invited, and while the Marquis explains his son's mistake, the four daughters rush in, having been liberated by their lovers and their unknown brother, whom they greet with a fondness very shocking to the old Marchioness. The elderly suitors withdraw, swearing to take vengeance on the inopportune brother.