The Prince, finding all those pretty girls, is quite affable, and a general dancing and merry-making ensues, during which the students vainly try to escape, when suddenly two of the Grenadiers perceive that their respective beauties have beards.—The students are discovered and at once ordered to be put into the uniform, while Rüpelmei is arrested and handcuffed notwithstanding his protestations.
When the third act opens, drilling is going on in the town, and Walter and Berndt are among the recruits.
Lenchen and Hedwig arrive with the other girls to free the students.—They flatter the drill-sergeant, and soon the drilling is forgotten—and they are dancing merrily, when the Prince of Dessau arrives in the midst of the fun and threatens to have the officer shot for neglect of duty and the students as deserters. While the maidens are entreating him to be merciful, Berndt suddenly remembers the French Courier. He quickly relates to the Prince, that they have captured a French Marquis, who has a most important document in his possession, the plan of war. The Prince promising to let them free, if that proves to be true, the Marquis is conducted before the Prince, and the latter discovers that he is a messenger to the King of France, and that his letter is to show how the French army might attack the Prussians unawares. By this discovery the Germans are saved, for Dessau has time to send an officer to Saxony with orders to occupy Dresden before the arrival of the enemy.
Of course, the students are set free, and each of them obtains an office and the hand of his maiden besides. The luckless Rüpelmei is also liberated, being too much of a fool, to deserve even the Prince's scorn, who further decrees that the foolish town may keep their Burgomaster, as best suited to their narrow-mindedness.
MARGA.
Opera in one act by GEORG PITTRICH.
Text by ARNO SPIESS.
The first performance of this highly interesting little opera took place in Dresden in February 1894 and awakened the interest of every music lover in the hitherto quite unknown composer. Scenery and Music are of the colouring now common to modern composers, for whom unfortunately Mascagni is still the God, at whose shrine they worship.
The scene is laid in a Bulgarian village at the foot of the Schipka-Pass. Marga the heroine, a Roumanian peasant-girl has had a sister Petrissa, who, suffering cruel wrong at the hands of Vasil Kiselow, has cursed her seducer and sought death in the waves. Marga, who had vowed to avenge her sister, is wandering through the world in vain search of Vasil. When the curtain opens she has just reached the village, where Vasil occupies the most auspicious position of Judge. Thoroughly exhausted she sinks down at the foot of a cross and falls asleep.
Vasil's son Manal, finding her thus, detects a wonderful likeness between the sleeping beauty and a picture, which he had found some time ago in the miraculous Sabor Cave, and which for him is the ideal of love and beauty.—This picture, a likeness of Petrissa had been hung there by Vasil in order to exorcise the curse of the unhappy virgin, but Manal has no knowledge of his father's misdeed.