This Heraldry of Antiquity is to be regarded as the predecessor, and not as the ancestor of the Heraldry of England. There may be much that is common to both; but, there is nothing to show the later system to have been a lineal descendant from the earlier. It would seem much more likely that Heraldry, when it had been evolved, adopted ready made the emblems of an older civilisation for its own purpose, often appropriating at the same time the symbolism attaching to the emblems. The Heraldry, therefore, that has flourished, declined, and now is in the act of reviving in our own country in almost the full vigour of its best days, I shall treat as an independent science, proceeding from a single source, and from thence flowing onwards with varied fortunes, side by side with the chequered chronicles of England. In the course of its progress from the palmy days of Edward III., it has had to encounter, in a degree without precedent or parallel, that most painful and mischievous of trials—the excessive admiration of injudicious friends. Hence, Heraldry was brought into disrepute, and even into contempt, by the very persons who loved it with a genuine but a most unwise love. In process of time, no nonsense appeared too extravagant, and no fable too wild, to be engrafted upon the grave dignity of the Herald’s early science. Better times at length have succeeded. Heraldry now has friends and admirers, zealous as of old, whose zeal is guided aright by a sound judgment in alliance with a pure taste. Very much already has been accomplished to sweep away the amazing mass of absurdities and errors which had overwhelmed our English Heraldry, by such men as Nicholas, Nichols, Courthope, Seton, Planché, Walford, Montagu, and Lower: and the good work goes on and prospers, with the most cheering assurances of complete and triumphant success.
[1.] In his “Hand-book of Engraved Gems,” Mr. King maintains that “the devices on the signets of the ancients were both hereditary and unalterable, like our armorial bearings;” but, at the same time, he admits that the “armorial bearings,” which appear “on the shields of the Grecian heroes in the most ancient pictures extant, the Vase-paintings,” “seem to have been assumed at the caprice of the individual, like the knight’s cognisances at tournaments in the days of chivalry, and not to have been hereditary.”—“Hand-book,” page 216. Almost immediately, however, Mr. King adds, that traditions exist which represent the mythic heroes bearing “engraved on their signets the same devices that decorated their shields.” It would seem that the argument from such traditions would rather indicate the signet-devices to have been arbitrary, than the shield-devices to have been unalterable. While I readily admit the very interesting devices of antiquity to possess decided heraldic attributes, I cannot consider Mr. King to have shown that, as a general rule, they were held by the ancients themselves to have been either “unalterable” or “hereditary.” Possibly, further light may be thrown upon the hereditary quality of ancient Heraldry: but, I certainly do not expect to see any evidence adduced, which would establish a line of descent connecting the Mediæval Heraldry of England with any heraldic system of classic antiquity.
[CHAPTER II]
EARLY HERALDIC AUTHORITIES
Seals: Monumental Effigies, &c.: Rolls of Arms, Official Heraldic Records, &c.— Earliest Heraldic Shields and Banners— Allusive Quality of Early Armory— Attributed Arms.
“Let us begin at the beginning.” —Pursuivant of Arms.
At the head of the earliest existing authorities in English Heraldry are Seals. To the fortunate circumstance of the legal importance attached to them we are indebted for the preservation of these equally interesting and valuable relics, in great variety and in very considerable numbers. The heraldic evidence of Seals is necessarily of the highest order. They are original works, possessing contemporaneous authority. Produced with peculiar care and approved by their first possessors, their original authenticity is confirmed by their continued use through successive generations.
Having been in use before the introduction and adoption of Heraldry in England, Seals enable us to compare the devices that preceded true Heraldry with the earliest that are truly heraldic: and thus they show that, in many instances, regular coats-of-arms were derived in their hereditary bearings from similar devices that had been adopted in the same families before the heraldic era. For example: the Seal of John Mundegumri, about A.D. 1175, bears a single fleur-de-lys, not placed upon a shield; and, accordingly, here is seen the origin of the three golden fleurs-de-lys, borne afterwards upon a blue shield by the descendants of this John, the Montgomeries, Earls of Eglintoun. Again: the Seal of Walter Innes, A.D. 1431, displays the shield of arms of his house—three blue mullets (stars generally of five rays) on a field of silver, No. 11; and these mullets may be traced to the single star, that appears on the Seal of William Innes, or De Ynays, No. 12, appended to his deed of homage to Edward I., in the year 1295. I have selected these examples from the “Catalogue of Scottish Seals,” published by Mr. Laing, of Edinburgh, that I may be enabled here to refer in the highest terms of admiring commendation to that most excellent work. It is greatly to be desired that a corresponding publication should treat, with equal ability, of the Seals of England which, from the dawn of Heraldry, continue their admirable examples and illustrations throughout its career.
| No. 11.— Seal of Walter Innes. | No. 12.— Seal of Wm. Innes. |
Monumental Effigies, Sepulchral Memorials, early Buildings, and early Stained Glass, frequently are rich in authoritative examples of “the figures of Heraldry.” In addition to the various forms and combinations of heraldic composition, these works illustrate the early style of drawing in favour with Heralds during the great eras of mediæval Art, and they have preserved to us most useful and suggestive representations of various devices in their proper heraldic aspect. In many instances the Heraldry of early Monuments and Architecture possesses a peculiar value, arising from the circumstance of the shields of arms and other insignia having been sculptured in low relief or outlined in incised lines, and consequently these devices and compositions retain their original forms: and, in like manner, the original colouring of the Heraldry of Stained Glass remains safe from restoration or destruction, in consequence of the impossibility of re-painting it.