Speaking of the Atheist's martyrdom in answer to the spirit of "Ianthe," Shelley makes his fairy say:—

"There is no God!
Nature confirms the faith his death-groan sealed.
Let heaven and earth, let man's revolving race,
His ceaseless generations, tell their tale;
Let every part depending on the chain
That links it to the whole, point to the hand
That grasps its term! Let every seed that falls
In silent eloquence unfold its store
Of argument. Infinity within,
Infinity without, belie creation;
The exterminate spirit it contains
Is nature's only God: but human pride
Is skilful to invent most serious names
To hide its ignorance.
The name of God
Has fenced about all crime with holiness,
Himself the creature of his worshippers,
Whose names and attributes and passions change,
Seeva, Buddh, Foh, Jehovah, Goa, or Lord,
Even with the human dupes who build his shrines.
Still serving o'er the war-polluted world
For desolation's watch-word; whether hosts
Stain his death-blushing chariot wheels, as on
Triumphantly they roll, whilst Brahmins raise
A sacred hymn to mingle with the groans;
Or countless partners of his powers divide
His tyranny to weakness: or the smoke
Of burning towns, the cries of female helplessness,
Unarmed old age, and youth, and infancy,
Horribly massacred, ascend to heaven
In honor of his name; or, last and worst,
Earth groans beneath religion's iron age,
And priests dare babble of a God of peace,
Even whilst their hands are red with guiltless blood,
Murdering the while, uprooting every germ
Of truth, exterminating, spoiling all,
Making the earth a slaughter-house."

"Ianthe's" spirit, however, asks still further, and the ghost of Ahasuerus having been summoned, the question is repeated, "Is there a God?"

"Ahasuerus.—Is there a God? ay, an Almighty God,
And vengeful as Almighty! Once his voice
Was heard on earth: earth shuddered at the sound,
The fiery-visaged firmament expressed
Abhorrence, and the grave of nature yawned
To swallow all the dauntless and the good
That dared to hurl defiance at his throne,
Girt as it was with power. None but slaves
Survived,—cold-blooded slaves, who did the work
Of tyrannous omnipotence: whose souls
No honest indignation ever urged
To elevated daring, to one deed
Which gross and sensual self did not pollute.
These slaves built temples for the omnipotent fiend,
Gorgeous and vast: the costly altars smoked
With human blood, and hideous moans rung
Through all the long-drawn aisles. A murderer heard
His voice in Egypt, one whose gifts and arts
Had raised him to his eminence in power,
Accomplice of omnipotence in crime,
And confidant of the all-knowing one.
These were Jehovah's words:
"From an eternity of idleness,
God, awoke: in seven days toil made earth
From nothing; rested, and created man.
I placed him in a paradise, and there
Planted the tree of evil, so that he
Might eat and perish, and my soul procure
Wherewith to sate its malice, and to turn,
Even like a heartless conqueror of the earth,
All misery to my fame. The race of men,
Chosen to my honor, with impunity,
May sate the lusts I planted in their heart.
Here I command thee hence to lead them on,
Until, with hardened feet, their conquering troops
Wade on the promised soil through woman's blood,
And make my name be dreaded through the land.
Yet ever burning flame and ceaseless woe
Shall be the doom of their eternal souls,
With every soul on this ungrateful earth,
Virtuous or vicious, weak or strong,—even all
Shall perish, to fulfil the blind revenge
Which you, to men, call justice, of their God."
The murderer's brow
Quivered with horror.
God omnipotent!
Is there no mercy? must our punishment
Be endless? will long ages roll away,
And see no 'term? Oh! wherefore hast thou made
In mockery and wrath this evil earth?
Mercy becomes the powerful—be but just:
O God! repent and save.
"One way remains!
I will beget a son, and he shall bear
The sins of all the world: he shall arise
In an unnoticed corner of the earth,
And there shall die upon a cross, and purge
The universal crime; so that the few
On whom my grace descends, those who are marked
As vessels to the honor of their God,
May credit this strange sacrifice, and save
Their souls alive. Millions shall live and die
Who ne'er shall call upon their Saviour's name,
But, unredeemed, go to the gaping, grave.
Thousands shall deem it an old woman's tale,
Such as the nurses frighten babes withal.
These in a gulph of anguish and of flame
Shall curse their reprobation endlessly.
Yet tenfold pangs shall force them to avow,
Even on their beds of torment, where they howl,
My honor, and the justice of their doom.
What then avail their virtuous deeds, their thoughts
Of purity, with radiant genius bright,
Or lit with human reason's earthly ray?
Many are called, but few I will elect.
Do thou my bidding, Moses!"

In his poem of "Rosalind and Helen," the poet indulges in the following prophecy, which he puts in the mouth of Helen:—

"Fear not the tyrants shall rule forever,
Or the priests of the bloody faith;
They stand on the brink of that mighty river,
Whose waves they have tainted with death.
It is fed from the depths of a thousand dells,
Around them it foams, and rages, and swells;
And their swords and their sceptres I floating see,
Like wrecks on the surge of eternity."

Beside the poems mentioned, Shelley wrote "The Cenci," "Alastor," "Prometheus Unbound," and many others, including a beautiful little ode to a "Skylark," and the well-known "Sensitive Plant."

Shelley was a true and noble man—no poet was ever warmed by a more genuine and unforced aspiration.—De Quincey says, "Shelley would, from his earliest manhood, have sacrificed all that he possessed for any comprehensive purpose of good for the race of man. He dismissed all insults and injuries from his memory. He was the sincerest and most truthful of human creatures.

"If he denounced marriage as a vicious institution, that was but another phase of the partial lunacy which affected him: for to no man were purity and fidelity more essential elements in the idea of real love. Again, De Quincey speaks of Shelley's "fearlessness, his gracious nature, his truth, his purity from all flesh-liness of appetite, his freedom from vanity, his diffusive love and tenderness." This testimony is worth much, the more especially when we remember that it is from the pen of Thomas de Quincey, who, while truthfully acknowledging the man, hesitates not to use polished irony, rough wit, and covert sneering, when dealing with the man's uttered thinkings.

"That Shelley understood the true mission of a poet, and the true nature of poetry, will appear from the following extract from one of his prose essays:—"Poetry," he says, "is the record of the best and happiest moments of the happiest and best minds. We are aware of evanescent visitations of thought and feeling, sometimes associated with place and person, sometimes regarding our own mind alone, and always arising unforeseen, and departing unbidden, but elevating andd delightful beyond all expression. Poets are not only subject to these experiences, as spirits of the most refined organization, but they can color all they combine with the evanescent lines of this ethereal world; a word, a trait in the representation of a scene or passion will touch the enchanted cord, and reanimate in those who have ever experienced these emotions, the sleeping, the cold, the buried image of the past. Poetry thus makes immortal all that is best and most beautiful in the world; it arrests the vanishing apparitions which haunt the interlunations of life, and veiling them, or in language or in form, sends them forth among mankind, bearing sweet news of kindred joy to those with whom their sisters abide—abide, because there is no portal of expression from the caverns of the spirit which they inhabit into the universe of things."