I found Welbeck (for I shall henceforth call him by his true name) at the breakfast-table. A superb equipage of silver and china was before him. He was startled at my entrance. The change in my dress seemed for a moment to have deceived him. His eye was frequently fixed upon me with unusual steadfastness. At these times there was inquietude and wonder in his features.
I had now an opportunity of examining my host. There was nicety but no ornament in his dress. His form was of the middle height, spare, but vigorous and graceful. His face was cast, I thought, in a foreign mould. His forehead receded beyond the usual degree in visages which I had seen. His eyes large and prominent, but imparting no marks of benignity and habitual joy. The rest of his face forcibly suggested the idea of a convex edge. His whole figure impressed me with emotions of veneration and awe. A gravity that almost amounted to sadness invariably attended him when we were alone together.
He whispered the servant that waited, who immediately retired. He then said, turning to me, "A lady will enter presently, whom you are to treat with the respect due to my daughter. You must not notice any emotion she may betray at the sight of you, nor expect her to converse with you; for she does not understand your language." He had scarcely spoken when she entered. I was seized with certain misgivings and flutterings which a clownish education may account for. I so far conquered my timidity, however, as to snatch a look at her. I was not born to execute her portrait. Perhaps the turban that wreathed her head, the brilliant texture and inimitable folds of her drapery, and nymphlike port, more than the essential attributes of her person, gave splendour to the celestial vision. Perhaps it was her snowy hues, and the cast rather than the position of her features, that were so prolific of enchantment; or perhaps the wonder originated only in my own ignorance.
She did not immediately notice me. When she did she almost shrieked with surprise. She held up her hands, and, gazing upon me, uttered various exclamations which I could not understand. I could only remark that her accents were thrillingly musical. Her perturbations refused to be stilled. It was with difficulty that she withdrew her regards from me. Much conversation passed between her and Welbeck, but I could comprehend no part of it. I was at liberty to animadvert on the visible part of their intercourse. I diverted some part of my attention from my own embarrassments, and fixed it on their looks.
In this art, as in most others, I was an unpractised simpleton. In the countenance of Welbeck, there was somewhat else than sympathy with the astonishment and distress of the lady; but I could not interpret these additional tokens. When her attention was engrossed by Welbeck, her eyes were frequently vagrant or downcast; her cheeks contracted a deeper hue; and her breathing was almost prolonged into a sigh. These were marks on which I made no comments at the time. My own situation was calculated to breed confusion in my thoughts and awkwardness in my gestures. Breakfast being finished, the lady, apparently at the request of Welbeck, sat down to a piano-forte.
Here again I must be silent. I was not wholly destitute of musical practice and musical taste. I had that degree of knowledge which enabled me to estimate the transcendent skill of this performer. As if the pathos of her touch were insufficient, I found after some time that the lawless jarrings of the keys were chastened by her own more liquid notes. She played without a book, and, though her bass might be preconcerted, it was plain that her right-hand notes were momentary and spontaneous inspirations. Meanwhile Welbeck stood, leaning his arms on the back of a chair near her, with his eyes fixed on her face. His features were fraught with a meaning which I was eager to interpret, but unable.
I have read of transitions effected by magic; I have read of palaces and deserts which were subject to the dominion of spells; poets may sport with their power, but I am certain that no transition was ever conceived more marvellous and more beyond the reach of foresight than that which I had just experienced. Heaths vexed by a midnight storm may be changed into a hall of choral nymphs and regal banqueting; forest glades may give sudden place to colonnades and carnivals; but he whose senses are deluded finds himself still on his natal earth. These miracles are contemptible when compared with that which placed me under this roof and gave me to partake in this audience. I know that my emotions are in danger of being regarded as ludicrous by those who cannot figure to themselves the consequences of a limited and rustic education.
CHAPTER VI.
In a short time the lady retired. I naturally expected that some comments would be made on her behaviour, and that the cause of her surprise and distress on seeing me would be explained; but Welbeck said nothing on that subject. When she had gone, he went to the window and stood for some time occupied, as it seemed, with his own thoughts. Then he turned to me, and, calling me by my name, desired me to accompany him up-stairs. There was neither cheerfulness nor mildness in his address, but neither was there any thing domineering or arrogant.