Principles, in the looser sense of that term, have little influence on practice. Ormond was, for the most part, governed, like others, by the influences of education and present circumstances. It required a vigilant discernment to distinguish whether the stream of his actions flowed from one or the other. His income was large, and he managed it nearly on the same principles as other men. He thought himself entitled to all the splendour and ease which it would purchase, but his taste was elaborate and correct. He gratified his love of the beautiful, because the sensations it afforded were pleasing, but made no sacrifices to the love of distinction. He gave no expensive entertainments for the sake of exciting the admiration of stupid gazers, or the flattery or envy of those who shared them. Pompous equipage and retinue were modes of appropriating the esteem of mankind which he held in profound contempt. The garb of his attendants was fashioned after the model suggested by his imagination, and not in compliance with the dictates of custom.

He treated with systematic negligence the etiquette that regulates the intercourse of persons of a certain class. He every where acted, in this respect, as if he were alone, or among familiar associates. The very appellations of Sir, and Madam, and Mister, were, in his apprehension, servile and ridiculous, and as custom or law had annexed no penalty to the neglect of these, he conformed to his own opinions. It was easier for him to reduce his notions of equality to practice than for most others. To level himself with others was an act of condescension and not of arrogance. It was of requisite to descend rather than to risk,—a task the most easy, if we regard the obstacle flowing from the prejudice of mankind, but far most difficult if the motive of the agent be considered.

That in which he chiefly placed his boast, was his sincerity. To this he refused no sacrifice. In consequence of this, his deportment was disgusting to weak minds, by a certain air of ferocity and haughty negligence. He was without the attractions of candour, because he regarded not the happiness of others, but in subservience to his sincerity. Hence it was natural to suppose that the character of this man was easily understood. He affected to conceal nothing. No one appeared more exempt from the instigations of vanity. He set light by the good opinions of others, had no compassion for their prejudices and hazarded assertions in their presence which he knew would be, in the highest degree, shocking to their previous notions. They might take it, he would say, as they list. Such were his conceptions, and the last thing he would give up was the use of his tongue. It was his way to give utterance to the suggestions of his understanding. If they were disadvantageous to him, the opinions of others, it was well. He did not want to be regarded in any light but the true one. He was contented to be rated by the world at his just value. If they esteemed him for qualities which he did not possess, was he wrong in rectifying their mistake: but in reality, if they valued him for that to which he had no claim, and which he himself considered as contemptible, he must naturally desire to show them their error, and forfeit that praise which, in his own opinion, was a badge of infamy.

In listening to his discourse, no one's claim to sincerity appeared less questionable. A somewhat different conclusion would be suggested by a survey of his actions. In early youth he discovered in himself a remarkable facility in imitating the voice and gestures of others. His memory was eloquently retentive, and these qualities would have rendered his career, in the theatrical profession, illustrious, had not his condition raised him above it. His talents were occasionally exerted for the entertainment of convivial parties and private circles, but he gradually withdrew from such scenes as he advanced in age, and devoted his abilities to higher purposes.

His aversion to duplicity had flowed from experience of its evils. He had frequently been made its victim; inconsequence of this his temper had become suspicious, and he was apt to impute deceit on occasions when others, of no inconsiderable sagacity, were abundantly disposed to confidence. One transaction had occurred in his life, in which the consequences of being misled by false appearances were of the utmost moment to his honour and safety. The usual mode of salving his doubt he deeded insufficient, and the eagerness of his curiosity tempted him, for, the first time, to employ, for this end, his talent at imitation. He therefore assumed a borrowed character and guise, and performed his part with so much skill as fully to accomplish life design. He whose mask would have secured him from all other attempts, was thus taken through an avenue which his caution had overlooked, and the hypocrisy of his pretensions unquestionably ascertained.

Perhaps, in a comprehensive view, the success of this expedient was unfortunate. It served to recommend this method of encountering deceit, and informed him of the extent of those powers which are so liable to be abused. A subtlety much inferior to Ormond would suffice to recommend this mode of action. It was defensible on no other principle than necessity. The treachery of mankind compelled him to resort to it. If they should deal in a manner as upright and explicit as himself, it would be superfluous. But since they were in the perpetual use of stratagems and artifices, it was allowable, he thought, to wield the same arms.

It was easy to perceive, however, that this practice was recommended to him by other considerations. He was delighted with the power it conferred. It enabled him to gain access, as if by supernatural means, to the privacy of others, and baffle their profoundest contrivances to hide themselves from his view. It flattered him with the possession of something like omniscience. It was besides an art, in which, as in others, every accession of skill was a source of new gratification. Compared with this, the performance of the actor is the sport of children. This profession he was accustomed to treat with merciless ridicule, and no doubt some of his contempt arose from a secret comparison between the theatrical species of imitation and his own. He blended in his own person the functions of poet and actor, and his dramas were not fictitious but real. The end that he proposed was not the amusement of a playhouse mob. His were scenes in which hope and fear exercised a genuine influence, and in which was maintained that resemblance to truth so audaciously and grossly violated on the stage.

It is obvious how many singular conjunctures must have grown out of this propensity. A mind of uncommon energy like Ormond's, which had occupied a wide sphere of action, and which could not fail of confederating its efforts with those of minds like itself, must have given birth to innumerable incidents, not unworthy to be exhibited by the most eloquent historian. It is not my business to relate any of these. The fate of Miss Dudley is intimately connected with him. What influence he obtained over her destiny, in consequence of this dexterity, will appear in the sequel.

It arose from these circumstances, that no one was more impenetrable than Ormond, though no one's real character seemed more easily discerned. The projects that occupied his attention were diffused over an ample space; and his instruments and coadjutors were culled from a field, whose bounds were those of the civilized world. To the vulgar eye, therefore, he appeared a man of speculation and seclusion, and was equally inscrutable in his real and assumed characters. In his real, his intents were too lofty and comprehensive, as well as too assiduously shrouded from profane inspection for them to scan. In the latter, appearances were merely calculated to mislead and not to enlighten.

In his youth he had been guilty of the usual excesses incident to his age and character. These had disappeared and yielded place to a more regular and circumspect system of action. In the choice of his pleasures he still exposed himself to the censure of the world. Yet there was more of grossness and licentiousness in the expression of his tenets, than in the tenets themselves. So far as temporance regards the maintenance of health, no man adhered to its precepts with more fidelity, but he esteemed some species of connection with the other sex as venial, which mankind in general are vehement in condemning.