Roseveldt fixed an hour in which it was convenient for him to execute her commission. This hour having passed, Constantia, who was anxious respecting his success, hastened to his house. Roseveldt delivered the instrument, which the lady, having listened to his pleas and offers, directed to be gratuitously restored to Constantia. At first, she had expressed her resolution to part with it on no account, and at no price. Its music was her only recreation, and this instrument surpassed any she had ever before seen, in the costliness and delicacy of its workmanship. But Roseveldt's representations produced an instant change of resolution, and she not only eagerly consented to restore it, but refused to receive any thing in payment.
Constantia was deeply affected by this unexpected generosity. It was not her custom to be outstripped in this career. She now condemned herself for her eagerness to regain this instrument. During her father's blindness it was a powerful, because the only, solace of his melancholy. Now he had no longer the same anxieties to encounter, and books and the pencil were means of gratification always at hand. The lute therefore, she imagined, could be easily dispensed with by Mr. Dudley, whereas its power of consoling might be as useful to the unknown lady as it had formerly been to her father. She readily perceived in what manner it became her to act. Roseveldt was commissioned to redeliver the lute, and to entreat the lady's acceptance of it. The tender was received without hesitation, and Roseveldt dismissed without any inquiry relative to Constantia.
These transactions were reflected on by Constantia with considerable earnestness. The conduct of the stranger, her affluent and lonely slate, her conjectural relationship to the actors in the great theatre of Europe, were mingled together in the fancy of Constantia, and embellished with the conceptions of her beauty derived from their casual meeting at Roseveldt's. She forgot not their similitude in age and sex, and delighted to prolong the dream of future confidence and friendship to take place between them. Her heart sighed for a companion fitted to partake in all her sympathies.
This strain, by being connected with the image of a being like herself, who had grown up with her from childhood, who had been entwined with her earliest affections, but from whom she had been severed from the period at which her father's misfortunes commenced, and of whose present condition she was wholly ignorant, was productive of the deepest melancholy. It filled her with excruciating, and, for a time, irremediable sadness. It formed a kind of paroxysm, which, like some febrile affections, approach and retire without warning, and against the most vehement struggles.
In this mood her fancy was thronged with recollections of scenes in which her friend had sustained a part. Their last interview was commonly revived in her remembrance so forcibly as almost to produce a lunatic conception of its reality. A ditty which they sung together on that occasion flowed to her lips. If ever human tones were qualified to convey the whole soul, they were those of Constantia when she sang:—
"The breeze awakes, the bark prepares,
To waft me to a distant shore:
But far beyond this world of cares
We meet again to part no more."
These fits were accustomed to approach and to vanish by degrees. They were transitory, but not unfrequent, and were pregnant with such agonizing tenderness, such heart-breaking sighs, and a flow of such bitter yet delicious tears, that it were not easily decided whether the pleasure or the pain surmounted. When symptoms of their coming were felt she hastened into solitude, that the progress of her feelings might endure no restraint.
On the evening of the day on which the lute had been sent to the foreign lady, Constantia was alone in her chamber immersed in desponding thoughts. From these she was recalled by Fabian, her black servant, who announced a guest. She was loath to break off the thread of her present meditations, and inquired with a tone of some impatience, who was the guest. The servant was unable to tell; it was a young lady whom he had never before seen; she had opened the door herself, and entered the parlour without previous notice.
Constantia paused at this relation. Her thoughts had recently been fixed upon Sophia Westwyn. Since their parting four years before she had heard no tidings of this woman. Her fears imagined no more probable cause of her friend's silence than her death. This, however, was uncertain. The question now occurred, and brought with it sensations that left her no power to move:—was this the guest?
Her doubts were quickly dispelled, for the stranger taking a light from the table, and not brooking the servant's delays, followed Fabian to the chamber of his mistress. She entered with careless freedom, and presented to the astonished eyes of Constantia the figure she had met at Roseveldt's, and the purchaser of her lute.