Chateaubriand says, that he was strongly tempted to find some mode of penetrating to the interior of the mosque; but was prevented by the fear, that he might thereby involve the whole Christian population of Jerusalem in destruction. Dr. Richardson, however, succeeded in gratifying a similar curiosity, which he shared in common with a host of other travellers.
The Tomb of Zacharias is square, with four or five pillars, and is cut out of the rock. Near this is a sort of grotto, hewn out of the elevated part of the rock, with four pillars in front, which is said to have been the apostles' prison at the time they were confined by the rulers.
At a small distance within the gates of St. Stephen, that fronts Olivet, is the pool of Bethesda, said to be the scene of one of Christ's most striking miracles. The pool is at present dry, and its bed nearly filled up with earth and rubbish. Wild tamarisk bushes and pomegranate trees spread their foliage round it; but, according to Chateaubriand, the mason-work of the sides, composed of large stones, joined together by iron cramps, may still be traced; making the measurement of this reservoir to have been in width 40 feet, and in length 150. At its eastern end are some arches dammed up. It is evidently the most ancient work in Jerusalem, and, as such, is an interesting specimen of the primitive architecture of its inhabitants. All travellers seem to agree that this was the pool of Bethesda, memorable in the Gospel history as the scene of the paralytic, related in St. John. It was here, perhaps, that the sheep were marked, preparatory to the sacrifices of the temple[314].
"At about two-thirds of the ascent of the Mount of Olives," says Mr. Robinson, "we were shown the place where our Lord, looking down upon the city, wept over its impending fate. 'Seest thou these great buildings? There shall not be left one stone upon another, that shall not be thrown down[315].'"
"From the summit," says Mr. Carne, "you enjoy an admirable view of the city. It is beneath, and very near, and looks, with its valleys around it, like a panorama. This noble mosque of Omar, and large area, planted with palms, its narrow streets, ruinous places and towers, are all laid out before you, as you have seen Naples and Corfu in Leicester-square. On the summit are the remains of a church, built by the empress Helena; and in a small edifice, containing one large and lofty apartment, is shown the print of the last footsteps of Christ, when he took his leave of earth."
"About forty years," says Dr. Clarke, "before the idolatrous profanation of the Mount of Olives by Solomon, his afflicted parent, driven from Jerusalem by his son Absalom, came to this eminence to present a less offensive sacrifice, and, as it is beautifully expressed by Adichomius, 'flens et nudis pedibus adoravit,' what a scene does the sublime description, given by the prophet, picture to the imagination of every one who has felt the influence of filial piety, but especially of the traveller, standing upon the very spot where the aged monarch gave to heaven the offering of his wounded spirit. "And David went up by the ascent of Mount Olives, and wept as he went up, and had his head covered, and he went barefoot, and all the people that was with him covered every man his head; and they went up weeping."
On the top of the mount are the remains of several works, the history of which has been lost. Among these are several subterraneous chambers. One of them has the shape of a cone, of very large size. It is upon the very pinnacle of the mountain.
"The Mount of Olives," says Mons. La Martine, "slopes suddenly and rapidly down to the deep abyss, called the Valley of Jehoshaphat, which separates it from Jerusalem. From the bottom of this sombre and narrow valley, the barren sides of which are everywhere paved with black and white stones, the funereal stones of death, rises an immense hill, with so abrupt an elevation, that it resembles a fallen rampart: no tree here strikes its roots; no moss even can here fix its filaments. The slope is so steep that the earth and stones continually roll from it, and it presents to the eye only a surface of dry dust, as if powdered cinders had been thrown upon it. From the heights of the city, towards the middle of this hill, or natural rampart, rise high and strong walls of large stones, not externally sawed by the mason, which conceal their Hebrew and Roman foundations beneath the same cinders, and are here from fifty to one hundred, and further on, from two to three hundred feet in height. The walls are here cut by three city gates, two of which are fastened up, and the only one open before us seems as void and as desolate as if it gave entrance to an uninhabited town. The walls, rising again beyond this gate, sustain a large and vast terrace, which runs along two-thirds of the length of Jerusalem, on the eastern side; and, judging by the eye, may be a thousand feet in length, and five or six hundred in breadth. It is nearly level, except at its centre, where it sinks insensibly, as if to recall to the eye the valley of little depth, which formerly separated the hill of Sion from the city of Jerusalem. This magnificent platform, prepared no doubt by nature, but evidently finished by the hand of man, was the sublime pedestal upon which arose the temple of Solomon. It now supports two Turkish mosques."
Acra Hill[316] rose to the north of Sion, the east side facing mount Moriah, on which the temple was situated, and from which this hill was separated only by a chasm, which the Asmoneans partly filled up by lowering the summit of Acra. As we are informed by Josephus, Antiochus Epiphanes erected a fortress upon it to overawe the city and the temple; which fortress, having a Greek or Macedonian garrison, held out against the Jews till the time of Simon, who demolished it, and at the same time levelled the summit of the hill.
The east side of Mount Moriah[317] bordered the valley of Kedron, commonly called the Valley of Jehoshaphat, which was very deep: the south side, overlooking a very low spot, (the Tyropœon,) was faced, from top to bottom, with a strong wall, and had a bridge going across the valley for its communication with Sion. The east side looked towards Acra, the appearance of which from the temple is compared by Josephus to a theatre; and on the north side an artificial ditch, says the same historian, separated the temple from a hill named Begetha, which was afterwards joined to the town, by an extension of its area.