It was afterwards seized by a powerful Florentine family, named Acciaioli, one of whom sold it to the Venetians; but his son seized it again, and it remained in that family till A. D. 1455, when it surrendered to Omar, a general of Mahomet II., and thus formed one of the two hundred cities which that prince took from the Christians. He settled a colony in it, and incorporated it completely with the Turkish empire. What has occurred of late years has not been embodied in any authentic history; but the consequences of the tumults of Greece may be in some degree imagined, from what is stated by a recent traveller in regard to Athens[55]. "When I sallied forth to explore the wonders of Athens, alas! they were no longer to be seen. The once proud city of marble was literally a mass of ruins—the inglorious ruins of mud-houses and wretched mosques forming in all quarters such indistinguishable piles, that in going about I was wholly unable to fix upon any peculiarities of streets or buildings, by which I might know my way from one part of the capital to another. With the exception of the remains of the Forum, the temple of Theseus, which is still in excellent preservation, the celebrated columns of the temple of Jupiter Olympius, and the Parthenon, nothing now exists at Athens of all the splendid edifices with which it was so profusely decorated in the days of its glory."
It has been well observed, that, associated in the youthful mind with all that is noble in patriotism, exalted in wisdom, excelling in art, elegant in literature, luminous in science, persuasive in eloquence, and heroic in action, the beautiful country of Greece, and its inhabitants, must, under every circumstance, even of degradation, be an interesting object of study. "We can all feel, or imagine," says Lord Byron, "the regret with which the ruins of cities, once the capital of empires, are beheld. But never did the littleness of man, and the vanity of his very best virtues, of patriotism to exalt and of valour to defend his country, appear more conspicuous than in the record of what Athens once was, and the certainty of what she now is."
The former state of Athens is thus described by Barthelemy. "There is not a city in Greece which presents so vast a number of public buildings and monuments as Athens. Edifices, venerable for their antiquity, or admirable for their elegance, raise their majestic heads on all sides. Masterpieces of sculpture are extremely numerous, even in the public places, and concur with the finest productions of the pencil to embellish the porticoes of temples. Here every thing speaks to the eyes of the attentive spectator."
To describe Athens entire would be to fill a volume. We shall, therefore, only give an account of the chief monuments of antiquity as they existed till very lately; the rest, as they give one little or no sort of idea of their ancient magnificence, were better omitted than mentioned.
The Piræus[56] is one of the finest ports in Greece, and, being bounded by rocks, has experienced hardly any change in its form or dimensions. The sea, however, appears to have encroached a little, as some ruins are seen under water. The general depth of the port is from two to ten fathoms, in some places twenty. The Piræus was decorated with a theatre, several temples, and a great number of statues. As the existence of Athens depended on the safety of this harbour, Themistocles secured it against sudden attack by building a wall, sixty stadia in length, and forty cubits high. As to its thickness, it was greater than the space occupied by two waggons. It was built of huge square stones, fastened together on the outside by iron and leaden cramps. Without the gate was a cenotaph, erected in honour of Euripides, on which was inscribed "The glory of Euripides has all Greece for a monument."
The old city of Athens was seated on the top of a rock in the midst of a pleasant plain, which, as the number of inhabitants increased, became full of buildings, which induced the distinction of Acro and Catapolis, i. e., of the upper and lower city.
The inside of the citadel was adorned with a multitude of edifices. The flat space on the rock of the Acropolis is not more than eight hundred feet in length, and about four hundred feet in breadth,—a small extent for the site of the primitive city of the Athenians; but an area of great size, when considered as the base only of temples and marble palaces, containing not a single structure which might not be denominated a masterpiece of art[57]. The most remarkable of these were a magnificent temple of Minerva, styled Parthenon, because that goddess was a virgin—this the Persians destroyed, out it was rebuilt with still greater splendour by Pericles—the temple of Neptune and Minerva jointly; a temple dedicated to Victory, adorned with paintings, principally the work of Polygnotus, and constructed of white marble. Within the citadel, also, was an immense number of statues, erected by religion and gratitude, on which the chisels of Myron, Phidias, Alcamenes, and other artists of renown, seemed to have bestowed animation. Of these statues, some were those of famous Athenian generals; such as Pericles, Phormio, Iphicrates, and Timotheus; and others, those of the gods.
It appears surprising that so many temples should have been crowded together within the narrow compass of the Athenian Acropolis; but the Roman Capitol, though not much more spacious, contained at least thirty temples[58].
"In its pride and glory," says Chandler, "the Acropolis appeared as one entire offering to the deity, surpassing in excellence, and astonishing in richness. Heliodorus employed on it fifteen books. The curiosities of various kinds, with the pictures, statues, and pieces of sculpture, were so many and so remarkable, as to supply Polemo Periegetes with matter for four volumes; and Strabo affirms, that as many more would be required in treating of Athens and of Attica.
As the stranger draws near to the present entrance of the citadel, he passes before the façade of the Propylea; the old entrance to the Acropolis, between its Doric pillars, being walled up. Pausanias says, "There is only one entrance to the Acropolis of Athens; it being in every remaining part of its circuit a precipice, and fortified by strong walls. This entrance was fronted by a magnificent building, called the Propylea, covered with roofs of white marble, which surpassed, for beauty and the dimensions of the marble, all that I have seen." This is now in ruins.