"In the mean time Vesuvius was taking fire on every side, amid the thick darkness. 'It is the villages which have been abandoned that are burning,' said my uncle to the crowd about him, to endeavour to quiet them. He then went to bed, and fell asleep. He was in the profoundest sleep, when the court of the house began to fill with cinders; and all the passages were nearly closed up. They run to him; and were obliged to awaken him. He rises, joins Pomponianus, and deliberates with him and his attendants what is best to be done, whether it would be safest to remain in the house or fly into the country. They chose the latter measure.
"They departed instantly therefore from the town, and the only precaution they could take was to cover their heads with pillows. The day was reviving everywhere else; but there it continued night; horrible night! the fire from the cloud alone enlightened it. My uncle wished to gain the shore, notwithstanding the sea was still tremendous. He descended, drank some water, had a sheet spread, and lay down on it. On a sudden, violent flames, preceded by a sulphureous odour, shot forth with a prodigious brightness, and made every one take to flight. My uncle, supported by two slaves, arose; but suddenly, suffocated by the vapour, he fell[267],—and Pliny was no more[268]."
If this visitation affected Misenum in so terrible a manner, what must have been the situation of the unfortunate inhabitants of Pompeii and Herculaneum, so near its focus? The emperor Titus here found an opportunity for the exercise of his humanity. He hastened to the scene of affliction, appointed curatores[269], persons of consular dignity, to set up the ruined buildings, and take charge of the effects. He personally encouraged the desponding, and alleviated the misery of the sufferers; whilst a calamity of an equally melancholy description recalled him to Rome; where a most destructive fire, laying waste nearly half the city, and raging three days without interruption, was succeeded by a pestilence, which for some time carried off ten thousand persons every day!
Herculaneum and Pompeii rose again from their ruins in the reign of Titus; and they still existed with some remains of splendour under Hadrian[270]. The beautiful characters of the inscription, traced out on the base of the equestrian statue of Marcus Nonius Balbus, son of Marcus, are an evident proof of its existence at that period. They were found under the reign of the Antonines. In the geographical monument, known under the name of Peutinger's chart, which is of a date posterior to the reign of Constantine, that is to say in the commencement of the 4th century, Herculaneum and Pompeii were still standing, and then inhabited; but in the Itinerary, improperly ascribed to Antoninus, neither of these two cities is noticed; from which it may be conjectured, that their entire ruin must have taken place in the interval between the time when Peutinger's chart was constructed, and that when the above Itinerary was composed.
The eruption, which took place in 471, occasioned the most dreadful ravages. It is very probable that the cities of Herculaneum and Pompeii disappeared at that period, and that no more traces of them were left.
It appears, by the observation of Sir W. Hamilton[271], that the matter, which covers the ancient town of Herculaneum, is not the produce of one eruption only; but there are evident marks that the matter of six eruptions has taken its course over that which lie immediately above the town; and which was the cause of its destruction. These strata are either of lava or burnt matter, with veins of good soil between them. The stratum of erupted matter that immediately covers the town, and with which the theatre and most of the houses were filled, is not of that sort of vitrified matter, called lava, but of a sort of soft stone composed of pumice, ashes, and burnt matter. It is exactly of the same nature with what is called the Naples stone. The Italians call it tufa; and it is in general use for building.
Herculaneum was covered with lava; Pompeii with pumice stone; yet the houses of the latter were built of lava; the product of former eruptions.
All memorials of the devoted cities were lost[272]; and discussions, over the places they had once occupied, were excited only by some obscure passages in the classical authors. Six successive eruptions contributed to lay them still deeper under the surface. But after that period had elapsed, a peasant digging a well beside his cottage in 1711, obtained some fragments of coloured marble, which attracted attention. Regular excavations were made, under the superintendence of Stendardo, an architect of Naples; and a statue of Hercules, of Greek workmanship, and also a mutilated one of Cleopatra, were drawn from what proved to be a temple in the centre of the ancient Herculaneum.
It may be well conceived with what interest the intelligence was received, that a Roman city had been discovered, which, safely entombed under-ground, had thus escaped the barbarian Goths and Vandals, who ravaged Italy, or the sacrilegious hands of modern pillagers.
The remains of several public buildings have been discovered[273], which have possibly suffered from subsequent convulsions. Among these are two temples; one of them one hundred and fifty feet by sixty, in which was found a statue of Jupiter. A more extensive edifice stood opposite to them; forming a rectangle of two hundred and twenty-eight feet by one hundred and thirty-two, supposed to have been appropriated for the courts of justice. The arches of a portico surrounding it were supported by columns; within, it was paved with marble; the walls were painted in fresco; and bronze statues stood between forty columns under the roof. A theatre was found nearly entire; very little had been displaced; and we see in it one of the best specimens extant of the architecture of the ancients. The greatest diameter of the theatre is two hundred and thirty-four feet, whence it is computed, that it could contain ten thousand persons, which proves the great population of the city.