“‘Simpleton,’ said he, slightly tapping her beautiful mouth, ‘do you suppose that the great Kaunitz would kiss any lips but those which, like the sensitive mimosa, shrink from the touch of man? Go away. Count Palffy will feel honored to reap the kisses I have left.’
“He gave her his hand, and looked after her, as with light and graceful carriage she left the room.”
Sir Walter Scott, in his “Rob Roy,” tells us how Frank Osbaldistone, in a moment of confusion and hesitancy, failed to return the half-proffered embrace of Diana Vernon, as she took leave of him on her way to the seclusion of conventual life, and how his absence of mind cost him many a bitter pang afterwards. It reminds one of Michael Angelo, who, at sixty, was enamored of a beautiful widow who died. The great painter and sculptor ever afterwards repented that he had not kissed her forehead and cheeks, as well as her hand, at the hour of parting:
“Miss Vernon had in the mean time taken out a small case, and, leaning down from her horse towards me, she said, in a tone in which an effort at her usual quaint lightness of expression contended with a deeper and more grave tone of sentiment, ‘You see, my dear coz, I was born to be your better angel. Rashleigh has been compelled to yield up his spoil, and had we reached this same village of Aberfoil last night, as we purposed, I should have found some Highland sylph to waft to you all these representatives of commercial wealth. But there were giants and dragons in the way; and errant knights and damsels of modern times, bold though they be, must not, as of yore, run into useless danger. Do not you do so either, my dear coz.’
“‘Diana,’ said her companion, ‘let me once more warn you that the evening waxes late, and we are still distant from our home.’
“‘I am coming, sir, I am coming. Consider,’ she added, with a sigh, ‘how lately I have been subjected to control; besides, I have not yet given my cousin the packet, and bid him farewell—forever. Yes, Frank,’ she said, ‘forever! There is a gulf between us,—a gulf of absolute perdition; where we go you must not follow; what we do you must not share in. Farewell,—be happy!’
“In the attitude in which she bent from her horse, which was a Highland pony, her face, not perhaps altogether unwillingly, touched mine. She pressed my hand, while the tear that trembled in her eye found its way to my cheek instead of her own. It was a moment never to be forgotten,—inexpressibly bitter, yet mixed with a sensation of pleasure so deeply soothing and affecting as at once to unlock all the floodgates of the heart. It was but a moment, however; for, instantly recovering from the feeling to which she had involuntarily given way, she intimated to her companion she was ready to attend him, and, putting their horses to a brisk pace, they were soon far distant from the place where I stood.
“Heaven knows, it was not apathy which loaded my frame and my tongue so much that I could neither return Miss Vernon’s half embrace, nor even answer her farewell. The word, though it rose to my tongue, seemed to choke in my throat, like the fatal guilty, which the delinquent who makes it his plea knows must be followed by the doom of death. The surprise, the sorrow, almost stupefied me. I remained motionless, with the packet in my hand, gazing after them, as if endeavoring to count the sparkles which flew from the horses’ hoofs. I continued to look after even these had ceased to be visible, and to listen for their footsteps long after the last distant trampling had died in my ears. At length, tears rushed to my eyes, glazed as they were by the exertion of straining after what was no longer to be seen. I wiped them mechanically and almost without being aware that they were flowing, but they came thicker and thicker; I felt the tightening of the throat and breast,—the hysterica passio of poor Lear,—and, sitting down by the wayside, I shed a flood of the first and most bitter tears which had flowed from my eyes since childhood.”