"You will want some brandy, whiskey, wines, &c."
"I can't do that, gentlemen. I never have kept liquors, and I can't get them now."
"No, gentlemen, I can't permit you to do what I would not do myself. I will furnish good water and enough of it, but no liquors."
He adhered to his decision; and thus at the beginning of the contest gave an exhibition of that resoluteness of character, that determination of will to adhere to what he felt was right, which was of such inestimable value to the nation, in carrying the cause of the Union triumphantly through all the dark days of the Rebellion.
It was sunset when Mr. Smith and myself reached Poolsville, after a rapid horseback ride from Washington. The quartermasters were issuing clothing to those who had cast away their garments while swimming the river. The night was cold. There had been a heavy fall of rain, and the ground was miry. It was a sad spectacle, those half-naked, shivering soldiers, who had lost everything,—clothes, equipments, and arms. They were almost heart-broken at the disaster.
"I enlisted to fight," said one, "but I don't want to be slaughtered. O my God! shall I ever forget that sight, when the boat went down?" He covered his face with his hands, as if to shut out the horrid spectacle.
Colonel Baker was sent across the river with the Fifteenth and Twentieth Massachusetts, a portion of the Tammany Regiment of New York, and the California regiment, Colonel Baker's own, in all about fifteen hundred men. His means of communication were only an old scow and two small boats. He was left to fight unassisted four thousand Rebels. Soon after he fell, there was a sudden rush to the boats, which, being overloaded, were instantly swamped. The Rebels had it all their own way, standing upon the bank and shooting the drowning men. Colonel Baker's body had been brought off, and was lying at Poolsville. The soldiers of his own regiment were inconsolable.
Poolsville is an insignificant village, situated in one of the richest agricultural districts of Maryland, surrounded by gentle swells of land, wooded vales, verdant slopes, broad fields, with the far-off mountain ranges and sweeping Potomac,—that combination which would be the delight of a painter who loves quiet rural scenery. The soil is fertile, and needs only good culture to yield an hundred-fold. Amid such native richness stands the village,—a small collection of nondescript houses, with overhanging roofs, wide porticos, or sheds which answer for piazzas, mammoth chimneys, built outside the edifice, as if they were afterthoughts when the houses were constructed. The streets are narrow, and the dwellings are huddled together as if there were but one corner lot, and all were trying to get as close to it as possible, reminding one of a crowd of boys round the old-fashioned fireplace of a country school-house on a winter's morning. There is not a new house in the place. The newest one was built many years ago. You look in vain for neat white cottages, with well-kept grounds. You are astonished at the immense number of old wagons and carriages, with rickety tops, torn canvas, broken wheels, shafts, and battered bodies,—of old lumber-carts and other weather-beaten vehicles under skeleton sheds. Look where you will, you come to the conclusion that time has sucked out the juice of everything. There is no freshness, no sign of a renewal of life or of present vitality. There are a small church, and two seedy, needy taverns,—mean-looking, uninviting places, each with its crowd of idle men, canvassing the state of public affairs.
Such was the village in 1861. The streets were alive with "little images of God cut in ebony," as Mrs. Stowe calls a negro child. Many of the "images," however, by contact with the Anglo-Saxon race, through Slavery, had become almost white. There were three or four hundred inhabitants, a few wealthy, with many poor.