CHAPTER VII.

IN A TRAP.

A kind word, a look, a smile, a warm grasp of the hand by a friend in time of trouble,—how they remain in memory! Sometimes they are like ropes thrown to drowning men. The meeting between Paul and Azalia upon the bridge was a turning point in his life. He felt, when he saw her approaching, that, if she passed him by, looking upon him as a vile outcast from society, he might as well give up a contest where everything was against him. He loved truth and honor for their own sake. He remembered the words of his grandfather, that truth and honor are better than anything else in the world. Many a night he had heard the winds repeating those words as they whistled through the cracks and crevices of his chamber, rattling the shingles upon the roof, saying over and over and over again, Truth and honor, truth and honor. He had tried to be true, honest, and manly, not only to make himself better, but to help everybody else who had a hard time in life; but if Rev. Mr. Surplice, Judge Adams, Colonel Dare, and all the good folks looked upon him as a thief, what was the use of trying to rise? There was one who was still his friend. Her sweet, sad smile followed him. He saw it all the time, by day and by night, while awake and while asleep. He felt the warm, soft touch of her hand, and heard her words. He remembered that God is always on the side of truth, and so he resolved to go right on as if nothing had happened, and live down the accusation.

But he couldn't go on. "After what has happened, it is expedient that you should leave the choir till your innocence is established," said Deacon Hardhack, who was chairman of the singing committee,—a good, well-meaning man, who was very zealous for maintaining what he considered to be the faith once delivered to the saints. He carried on an iron foundery, and people sometimes called him a cast-iron man. He believed, that it was the duty of everybody to do exactly right; if they did wrong, or if they were suspected of doing wrong, they must take the consequences. Miss Dobb told him that Paul ought to be pitched out of the choir. "I think so too, Miss Dobb," said the Deacon, and it was done.

It required a great bracing of Paul's nerves, on Sunday morning, to go to church, and take a seat in the pew down stairs, with every eye upon him; but he did it manfully.

The bell ceased tolling. It was time for services to commence, but there was no choir. The singers' seats were empty. Azalia, Daphne, Hans, and all the others, were down stairs. Mr. Surplice waited awhile, then read the hymn; but there was a dead silence,—no turning of leaves, no blending of sweet voices, no soul-thrilling strains, such as had reformed Farmer Harrow, and given rest to his horses one day in seven. People looked at the singers' seats, then at Paul, then at each other. The silence became awkward. Deacon Hardhack was much exercised in mind. He had been very zealous in committee meeting for having Paul sent down stairs, but he had not looked forward to see what effect it would have upon the choir. Mr. Cannel, who owned a coal-mine, sat in front of Paul. He was not on good terms with Deacon Hardhack, for they once had a falling out on business matters, and so whatever the Deacon attempted to do in society affairs was opposed by Mr. Cannel. They were both members of the singing committee, and had a stormy time on Saturday evening. Mr. Cannel did what he could to keep Paul in the choir, but the Deacon had carried the day.

"I'll triumph yet," was the thought which flashed through Mr. Cannel's mind, when he saw how matters stood. He turned and nodded to Paul to strike up a tune, but Paul took no notice of him. Mr. Cannel half rose from his seat, and whispered hoarsely, "Strike up a tune, Paul." All the congregation saw him. Paul made no movement, but sat perfectly still, not even looking towards Mr. Cannel. Deacon Hardhack saw what Mr. Cannel was up to, and resolved to head him off. He rose from his seat, and said aloud, "Brother Quaver, will you pitch a tune?"

Again, as in other days, Mr. Quaver rubbed his great red nose, as trumpeters wipe their instruments before giving a blast. Then, after a loud Ahem! which made the church ring, he began to sing. It was so strange a sound, so queer, so unlike the sweet music which had charmed the congregation through the summer, that there was smiling all over the church. His voice trembled and rattled, and sounded so funny that a little boy laughed aloud, which disconcerted him, and he came near breaking down. Miss Gamut sat in one corner of the church, many pews from Mr. Quaver. She attempted to join, but was so far away that she felt, as she afterwards remarked, like a cat in a strange garret. Paul did not sing. He thought that, if it was an offence for him to sing in the choir, it would be equally offensive to sing in the congregation. Azalia, Daphne, Hans, and all the members of the choir, who were sitting in the pews with their parents, were silent. They had talked the matter over before church.

"Paul is innocent; he has only been accused. It isn't right to condemn him, or turn from him, till we know he is not worthy of our confidence. I met him on the bridge last night, and he looked as if he hadn't a friend in the world. I shall stand by him," said Azalia.

"Deacon Hardhack and Miss Dobb mean to break down the choir. It is a conspiracy," said Hans, who felt that Paul's case was his own.