Fig. 44. Primary wing-feather of a Humming-bird, the Selasphorus platycercus (from a sketch by Mr. Salvin). Upper figure, that of male; lower figure, corresponding feather of female. of certain kinds have either the shafts of their primary wing-feathers broadly dilated, or the webs abruptly excised towards the extremity. The male, for instance, of Selasphorus platycercus, when adult, has the first primary wing-feather (fig. [44]), excised in this manner. Whilst flying from flower to flower he makes “a shrill, almost whistling, noise;”[113] but it did not appear to Mr. Salvin that the noise was intentionally made.
Lastly, in several species of a sub-genus of Pipra or Manakin, the males have their secondary wing-feathers modified, as described by Mr. Sclater, in a still more remarkable manner. In the brilliantly-coloured P. deliciosa the first three secondaries are thick-stemmed and curved towards the body; in the fourth and fifth (fig. 45, a) the change is greater; and in the sixth and seventh (b, c) the shaft “is thickened to an extraordinary degree, forming a solid horny lump.” The barbs also are greatly changed in shape, in comparison with the corresponding feathers (d, e, f) in the female. Even the bones of the wing which support these singular feathers in the male are said by Mr. Fraser to be much thickened. These little birds make an extraordinary noise, the first “sharp note being not unlike the crack of a whip.”[114]
Fig. 45. Secondary wing-feathers of Pipra deliciosa(from Mr. Sclater, in Proc, Zool. Soc. 1860). The three upper feathers, a, b, c, from the male; the three lower corresponding feathers, d, e, f, from the female.
a. and d. Fifth secondary wing-feather of male and female, upper surface. b and e. Sixth secondary, upper surface. c and f. Seventh secondary, lower surface.
The diversity of the sounds, both vocal and instrumental, made by the males of many species during the breeding-season, and the diversity of the means for producing such sounds, are highly remarkable. We thus gain a high idea of their importance for sexual purposes, and are reminded of the same conclusion with respect to insects. It is not difficult to imagine the steps by which the notes of a bird, primarily used as a mere call or for some other purpose, might have been improved into a melodious love-song. This is somewhat more difficult in the case of the modified feathers, by which the drumming, whistling, or roaring noises are produced. But we have seen that some birds during their courtship flutter, shake, or rattle their unmodified feathers together; and if the females were led to select the best performers, the males which possessed the strongest or thickest, or most attenuated feathers, situated on any part of the body, would be the most successful; and thus by slow degrees the feathers might be modified to almost any extent. The females, of course, would not notice each slight successive alteration in shape, but only the sounds thus produced. It is a curious fact that in the same class of animals, sounds so different as the drumming of the snipe’s tail, the tapping of the woodpecker’s beak, the harsh trumpet-like cry of certain water-fowl, the cooing of the turtle-dove, and the song of the nightingale, should all be pleasing to the females of the several species. But we must not judge the tastes of distinct species by a uniform standard; nor must we judge by the standard of man’s taste. Even with man, we should remember what discordant noises, the beating of tom-toms and the shrill notes of reeds, please the ears of savages. Sir S. Baker remarks,[115] that “as the stomach of the Arab prefers the raw meat and reeking liver taken hot from the animal, so does his ear prefer his equally coarse and discordant music to all other.”
Love-Antics and Dances.—The curious love-gestures of various birds, especially of the Gallinaceæ, have already been incidentally noticed; so that little need here be added. In Northern America, large numbers of a grouse, the Tetrao phasianellus, meet every morning during the breeding-season on a selected level spot, and here they run round and round in a circle of about fifteen or twenty feet in diameter, so that the ground is worn quite bare, like a fairy-ring. In these Partridge-dances, as they are called by the hunters, the birds assume the strangest attitudes, and run round, some to the left and some to the right. Audubon describes the males of a heron (Ardea herodias) as walking about on their long legs with great dignity before the females, bidding defiance to their rivals. With one of the disgusting carrion-vultures (Cathartes jota) the same naturalist states that “the gesticulations and parade of the males at the beginning of the love-season are extremely ludicrous.” Certain birds perform their love-antics on the wing, as we have seen with the black African weaver, instead of on the ground. During the spring our little whitethroat (Sylvia cinerea) often rises a few feet or yards in the air above some bush, and “flutters with a fitful and fantastic motion, singing all the while, and then drops to its perch.” The great English bustard throws himself into indescribably odd attitudes whilst courting the female, as has been figured by Wolf. An allied Indian bustard (Otis bengalensis) at such times “rises perpendicularly into the air with a hurried flapping of his wings, raising his crest and puffing out the feathers of his neck and breast, and then drops to the ground;” he repeats this manœuvre several times successively, at the same time humming in a peculiar tone. Such females as happen to be near “obey this saltatory summons,” and when they approach he trails his wings and spreads his tail like a turkey-cock.[116]
But the most curious case is afforded by three allied genera of Australian birds, the famous Bower-birds,—no doubt the co-descendants of some ancient species which first acquired the strange instinct of constructing bowers for performing their love-antics. The bowers (fig. [46]), which, as we shall hereafter see, are highly decorated with feathers, shells, bones and leaves, are built on the ground for the sole purpose of courtship, for their nests are formed in trees. Both sexes assist in the erection of the bowers, but the male is the principal workman. So strong is this instinct that it is practised under confinement, and Mr. Strange has described[117] the habits of some Satin Bower-birds, which he kept in his aviary in New South Wales. “At times the male will chase the female all over the aviary, then go to the bower, pick up a gay feather or a large leaf, utter a curious kind of note, set all his feathers erect, run round the bower and become so excited that his eyes appear ready to start from his head; he continues opening first one wing, and then the other, uttering a low, whistling note, and, like the domestic cock, seems to be picking up something from the ground, until at last the female goes gently towards him.” Captain Stokes has described the habits and “play-houses” of another species, the Great Bower-bird, which was seen “amusing itself by flying backwards and forwards, taking a shell alternately from each side, and carrying it through the archway in its mouth.” These curious structures, formed solely as halls of assemblages, where both sexes amuse themselves and pay their court, must cost the birds much labour. The bower, for instance, of the fawn-breasted species, is nearly four feet in length, eighteen inches in height, and is raised on a thick platform of sticks.