"This is a day of autos-de-fe," said the artist, dropping into a chair; "but bah! small loss; if Reine asks to see this lock, I will tell her that I destroyed it with kisses. That always flatters them, and I am sure it will please this little field-flower. It is a fact that she has cheeks like rosy apples! On my way back I thought of a vaudeville that I should like to write about this. Only I should lay the scene in Switzerland and I should call the young woman Betty or Kettly instead of Reine, a name ending in 'Y' which would rhyme with Rutly, on account of local peculiarities. Will you join in it? I have almost finished the scenario. First scene—Upon the rising of the curtain, harvesters are discovered—"
"Will you do me the favor of going to bed?" interrupted Gerfaut.
"Chorus of harvesters:
Deja l'aurore
Qui se colore—"
"If you do not leave me alone, I will throw the contents of this water- pitcher at your head."
"I never have seen you in such a surly temper. It looks indeed as if your divinity had treated you cruelly."
"She has treated me shamefully!" exclaimed the lover, whose anger was freshly kindled at this question; "she has treated me as one would treat a barber's boy. This note, which I just burned, was a most formal, unpleasant, insolent dismissal. This woman is a monster, do you understand me?"
"A monster! your angel, a monster!" said Marillac, suppressing with difficulty a violent outburst of laughter.
"She, an angel? I must say that she is a demon—This woman—"
"Do you not adore her?"