‘I believe so,’ said the old man.
‘Are their faces turned towards that noble prospect?’
‘Your face is turned,’ replied the old man, ‘to the Castle wall. When you are tied up, you see its stones expanding and contracting violently, and a similar expansion and contraction seem to take place in your own head and breast. Then, there is a rush of fire and an earthquake, and the Castle springs into the air, and you tumble down a precipice.’
His cravat appeared to trouble him. He put his hand to his throat, and moved his neck from side to side. He was an old man of a swollen character of face, and his nose was immoveably hitched up on one side, as if by a little hook inserted in that nostril. Mr. Goodchild felt exceedingly uncomfortable, and began to think the night was hot, and not cold.
‘A strong description, sir,’ he observed.
‘A strong sensation,’ the old man rejoined.
Again, Mr. Goodchild looked to Mr. Thomas Idle; but Thomas lay on his back with his face attentively turned towards the One old man, and made no sign. At this time Mr. Goodchild believed that he saw threads of fire stretch from the old man’s eyes to his own, and there attach themselves. (Mr. Goodchild writes the present account of his experience, and, with the utmost solemnity, protests that he had the strongest sensation upon him of being forced to look at the old man along those two fiery films, from that moment.)
‘I must tell it to you,’ said the old man, with a ghastly and a stony stare.
‘What?’ asked Francis Goodchild.
‘You know where it took place. Yonder!’