But I do waltz (pretty well, too, as it happens), and I take Miss Larkins out. I take her sternly from the side of Captain Bailey. He is wretched, I have no doubt; but he is nothing to me. I have been wretched, too. I waltz with the eldest Miss Larkins! I don’t know where, among whom, or how long. I only know that I swim about in space, with a blue angel, in a state of blissful delirium, until I find myself alone with her in a little room, resting on a sofa. She admires a flower (pink camellia japonica, price half-a-crown), in my button-hole. I give it her, and say:
‘I ask an inestimable price for it, Miss Larkins.’
‘Indeed! What is that?’ returns Miss Larkins.
‘A flower of yours, that I may treasure it as a miser does gold.’
‘You’re a bold boy,’ says Miss Larkins. ‘There.’
She gives it me, not displeased; and I put it to my lips, and then into my breast. Miss Larkins, laughing, draws her hand through my arm, and says, ‘Now take me back to Captain Bailey.’
I am lost in the recollection of this delicious interview, and the waltz, when she comes to me again, with a plain elderly gentleman who has been playing whist all night, upon her arm, and says:
‘Oh! here is my bold friend! Mr. Chestle wants to know you, Mr. Copperfield.’
I feel at once that he is a friend of the family, and am much gratified.
‘I admire your taste, sir,’ says Mr. Chestle. ‘It does you credit. I suppose you don’t take much interest in hops; but I am a pretty large grower myself; and if you ever like to come over to our neighbourhood—neighbourhood of Ashford—and take a run about our place,—we shall be glad for you to stop as long as you like.’