“If there is anyone who’ll write, or send, or go to him, let them lose no time. He is at Dijon. Do you know the name, and where it is?”
“Yes.”
“Warn him that the man he has made his enemy is in a frenzy, and that he doesn’t know him if he makes light of his approach. Tell him that he is on the road—I know he is!—and hurrying on. Urge him to get away while there is time—if there is time—and not to meet him yet. A month or so will make years of difference. Let them not encounter, through me. Anywhere but there! Any time but now! Let his foe follow him, and find him for himself, but not through me! There is enough upon my head without.”
The fire ceased to be reflected in her jet black hair, uplifted face, and eager eyes; her hand was gone from Harriet’s arm; and the place where she had been was empty.
CHAPTER LIV.
The Fugitives
Tea-time, an hour short of midnight; the place, a French apartment, comprising some half-dozen rooms;—a dull cold hall or corridor, a dining-room, a drawing-room, a bed-room, and an inner drawingroom, or boudoir, smaller and more retired than the rest. All these shut in by one large pair of doors on the main staircase, but each room provided with two or three pairs of doors of its own, establishing several means of communication with the remaining portion of the apartment, or with certain small passages within the wall, leading, as is not unusual in such houses, to some back stairs with an obscure outlet below. The whole situated on the first floor of so large an Hotel, that it did not absorb one entire row of windows upon one side of the square court-yard in the centre, upon which the whole four sides of the mansion looked.
An air of splendour, sufficiently faded to be melancholy, and sufficiently dazzling to clog and embarrass the details of life with a show of state, reigned in these rooms. The walls and ceilings were gilded and painted; the floors were waxed and polished; crimson drapery hung in festoons from window, door, and mirror; and candelabra, gnarled and intertwisted like the branches of trees, or horns of animals, stuck out from the panels of the wall. But in the day-time, when the lattice-blinds (now closely shut) were opened, and the light let in, traces were discernible among this finery, of wear and tear and dust, of sun and damp and smoke, and lengthened intervals of want of use and habitation, when such shows and toys of life seem sensitive like life, and waste as men shut up in prison do. Even night, and clusters of burning candles, could not wholly efface them, though the general glitter threw them in the shade.
The glitter of bright tapers, and their reflection in looking-glasses, scraps of gilding and gay colours, were confined, on this night, to one room—that smaller room within the rest, just now enumerated. Seen from the hall, where a lamp was feebly burning, through the dark perspective of open doors, it looked as shining and precious as a gem. In the heart of its radiance sat a beautiful woman—Edith.
She was alone. The same defiant, scornful woman still. The cheek a little worn, the eye a little larger in appearance, and more lustrous, but the haughty bearing just the same. No shame upon her brow; no late repentance bending her disdainful neck. Imperious and stately yet, and yet regardless of herself and of all else, she sat with her dark eyes cast down, waiting for someone.
No book, no work, no occupation of any kind but her own thought, beguiled the tardy time. Some purpose, strong enough to fill up any pause, possessed her. With her lips pressed together, and quivering if for a moment she released them from her control; with her nostril inflated; her hands clasped in one another; and her purpose swelling in her breast; she sat, and waited.