“We won’t drink the last bottle of the old Madeira yet, Ned,” says the old man thoughtfully. “Not yet.
“Not yet,” assents the Captain. “No. Not yet.”
Susan and Mr Toots are of the same opinion. After a silence they all sit down to supper, and drink to the young husband and wife in something else; and the last bottle of the old Madeira still remains among its dust and cobwebs, undisturbed.
A few days have elapsed, and a stately ship is out at sea, spreading its white wings to the favouring wind.
Upon the deck, image to the roughest man on board of something that is graceful, beautiful, and harmless—something that it is good and pleasant to have there, and that should make the voyage prosperous—is Florence. It is night, and she and Walter sit alone, watching the solemn path of light upon the sea between them and the moon.
At length she cannot see it plainly, for the tears that fill her eyes; and then she lays her head down on his breast, and puts her arms around his neck, saying, “Oh Walter, dearest love, I am so happy!”
Her husband holds her to his heart, and they are very quiet, and the stately ship goes on serenely.
“As I hear the sea,” says Florence, “and sit watching it, it brings so many days into my mind. It makes me think so much—”
“Of Paul, my love. I know it does.”
Of Paul and Walter. And the voices in the waves are always whispering to Florence, in their ceaseless murmuring, of love—of love, eternal and illimitable, not bounded by the confines of this world, or by the end of time, but ranging still, beyond the sea, beyond the sky, to the invisible country far away!