Nobody’s opinion stayed the misfortune, lightened it, or made it heavier. It was understood that the affairs of the House were to be wound up as they best could be; that Mr Dombey freely resigned everything he had, and asked for no favour from anyone. That any resumption of the business was out of the question, as he would listen to no friendly negotiation having that compromise in view; that he had relinquished every post of trust or distinction he had held, as a man respected among merchants; that he was dying, according to some; that he was going melancholy mad, according to others; that he was a broken man, according to all.
The clerks dispersed after holding a little dinner of condolence among themselves, which was enlivened by comic singing, and went off admirably. Some took places abroad, and some engaged in other Houses at home; some looked up relations in the country, for whom they suddenly remembered they had a particular affection; and some advertised for employment in the newspapers. Mr Perch alone remained of all the late establishment, sitting on his bracket looking at the accountants, or starting off it, to propitiate the head accountant, who was to get him into the Fire Office. The Counting House soon got to be dirty and neglected. The principal slipper and dogs’ collar seller, at the corner of the court, would have doubted the propriety of throwing up his forefinger to the brim of his hat, any more, if Mr Dombey had appeared there now; and the ticket porter, with his hands under his white apron, moralised good sound morality about ambition, which (he observed) was not, in his opinion, made to rhyme to perdition, for nothing.
Mr Morfin, the hazel-eyed bachelor, with the hair and whiskers sprinkled with grey, was perhaps the only person within the atmosphere of the House—its head, of course, excepted—who was heartily and deeply affected by the disaster that had befallen it. He had treated Mr Dombey with due respect and deference through many years, but he had never disguised his natural character, or meanly truckled to him, or pampered his master passion for the advancement of his own purposes. He had, therefore, no self-disrespect to avenge; no long-tightened springs to release with a quick recoil. He worked early and late to unravel whatever was complicated or difficult in the records of the transactions of the House; was always in attendance to explain whatever required explanation; sat in his old room sometimes very late at night, studying points by his mastery of which he could spare Mr Dombey the pain of being personally referred to; and then would go home to Islington, and calm his mind by producing the most dismal and forlorn sounds out of his violoncello before going to bed.
He was solacing himself with this melodious grumbler one evening, and, having been much dispirited by the proceedings of the day, was scraping consolation out of its deepest notes, when his landlady (who was fortunately deaf, and had no other consciousness of these performances than a sensation of something rumbling in her bones) announced a lady.
“In mourning,” she said.
The violoncello stopped immediately; and the performer, laying it on the sofa with great tenderness and care, made a sign that the lady was to come in. He followed directly, and met Harriet Carker on the stair.
“Alone!” he said, “and John here this morning! Is there anything the matter, my dear? But no,” he added, “your face tells quite another story.”
“I am afraid it is a selfish revelation that you see there, then,” she answered.
“It is a very pleasant one,” said he; “and, if selfish, a novelty too, worth seeing in you. But I don’t believe that.”
He had placed a chair for her by this time, and sat down opposite; the violoncello lying snugly on the sofa between them.