Mr Sparkler opined that he painted anything, if he could get the job.
‘He has no particular walk?’ said Mr Dorrit.
Mr Sparkler, stimulated by Love to brilliancy, replied that for a particular walk a man ought to have a particular pair of shoes; as, for example, shooting, shooting-shoes; cricket, cricket-shoes. Whereas, he believed that Henry Gowan had no particular pair of shoes.
‘No speciality?’ said Mr Dorrit.
This being a very long word for Mr Sparkler, and his mind being exhausted by his late effort, he replied, ‘No, thank you. I seldom take it.’
‘Well!’ said Mr Dorrit. ‘It would be very agreeable to me to present a gentleman so connected, with some—ha—Testimonial of my desire to further his interests, and develop the—hum—germs of his genius. I think I must engage Mr Gowan to paint my picture. If the result should be—ha—mutually satisfactory, I might afterwards engage him to try his hand upon my family.’
The exquisitely bold and original thought presented itself to Mr Sparkler, that there was an opening here for saying there were some of the family (emphasising ‘some’ in a marked manner) to whom no painter could render justice. But, for want of a form of words in which to express the idea, it returned to the skies.
This was the more to be regretted as Miss Fanny greatly applauded the notion of the portrait, and urged her papa to act upon it. She surmised, she said, that Mr Gowan had lost better and higher opportunities by marrying his pretty wife; and Love in a cottage, painting pictures for dinner, was so delightfully interesting, that she begged her papa to give him the commission whether he could paint a likeness or not: though indeed both she and Amy knew he could, from having seen a speaking likeness on his easel that day, and having had the opportunity of comparing it with the original. These remarks made Mr Sparkler (as perhaps they were intended to do) nearly distracted; for while on the one hand they expressed Miss Fanny’s susceptibility of the tender passion, she herself showed such an innocent unconsciousness of his admiration that his eyes goggled in his head with jealousy of an unknown rival.
Descending into the sea again after dinner, and ascending out of it at the Opera staircase, preceded by one of their gondoliers, like an attendant Merman, with a great linen lantern, they entered their box, and Mr Sparkler entered on an evening of agony. The theatre being dark, and the box light, several visitors lounged in during the representation; in whom Fanny was so interested, and in conversation with whom she fell into such charming attitudes, as she had little confidences with them, and little disputes concerning the identity of people in distant boxes, that the wretched Sparkler hated all mankind. But he had two consolations at the close of the performance. She gave him her fan to hold while she adjusted her cloak, and it was his blessed privilege to give her his arm down-stairs again. These crumbs of encouragement, Mr Sparkler thought, would just keep him going; and it is not impossible that Miss Dorrit thought so too.
The Merman with his light was ready at the box-door, and other Mermen with other lights were ready at many of the doors. The Dorrit Merman held his lantern low, to show the steps, and Mr Sparkler put on another heavy set of fetters over his former set, as he watched her radiant feet twinkling down the stairs beside him. Among the loiterers here, was Blandois of Paris. He spoke, and moved forward beside Fanny.