They put him in his easy-chair, and wheeled it near the window; then, swinging open the door, exposed him to the free current of morning air. But not all the air that is, nor all the winds that ever blew ‘twixt Heaven and Earth, could have brought new life to him.
Plunge him to the throat in golden pieces now, and his heavy fingers shall not close on one!
CHAPTER NINETEEN
THE READER IS BROUGHT INTO COMMUNICATION WITH SOME PROFESSIONAL PERSONS, AND SHEDS A TEAR OVER THE FILIAL PIETY OF GOOD MR JONAS
Mr Pecksniff was in a hackney cabriolet, for Jonas Chuzzlewit had said ‘Spare no expense.’ Mankind is evil in its thoughts and in its base constructions, and Jonas was resolved it should not have an inch to stretch into an ell against him. It never should be charged upon his father’s son that he had grudged the money for his father’s funeral. Hence, until the obsequies should be concluded, Jonas had taken for his motto ‘Spend, and spare not!’
Mr Pecksniff had been to the undertaker, and was now upon his way to another officer in the train of mourning—a female functionary, a nurse, and watcher, and performer of nameless offices about the persons of the dead—whom he had recommended. Her name, as Mr Pecksniff gathered from a scrap of writing in his hand, was Gamp; her residence in Kingsgate Street, High Holborn. So Mr Pecksniff, in a hackney cab, was rattling over Holborn stones, in quest of Mrs Gamp.
This lady lodged at a bird-fancier’s, next door but one to the celebrated mutton-pie shop, and directly opposite to the original cat’s-meat warehouse; the renown of which establishments was duly heralded on their respective fronts. It was a little house, and this was the more convenient; for Mrs Gamp being, in her highest walk of art, a monthly nurse, or, as her sign-board boldly had it, ‘Midwife,’ and lodging in the first-floor front, was easily assailable at night by pebbles, walking-sticks, and fragments of tobacco-pipe; all much more efficacious than the street-door knocker, which was so constructed as to wake the street with ease, and even spread alarms of fire in Holborn, without making the smallest impression on the premises to which it was addressed.
It chanced on this particular occasion, that Mrs Gamp had been up all the previous night, in attendance upon a ceremony to which the usage of gossips has given that name which expresses, in two syllables, the curse pronounced on Adam. It chanced that Mrs Gamp had not been regularly engaged, but had been called in at a crisis, in consequence of her great repute, to assist another professional lady with her advice; and thus it happened that, all points of interest in the case being over, Mrs Gamp had come home again to the bird-fancier’s and gone to bed. So when Mr Pecksniff drove up in the hackney cab, Mrs Gamp’s curtains were drawn close, and Mrs Gamp was fast asleep behind them.
If the bird-fancier had been at home, as he ought to have been, there would have been no great harm in this; but he was out, and his shop was closed. The shutters were down certainly; and in every pane of glass there was at least one tiny bird in a tiny bird-cage, twittering and hopping his little ballet of despair, and knocking his head against the roof; while one unhappy goldfinch who lived outside a red villa with his name on the door, drew the water for his own drinking, and mutely appealed to some good man to drop a farthing’s-worth of poison in it. Still, the door was shut. Mr Pecksniff tried the latch, and shook it, causing a cracked bell inside to ring most mournfully; but no one came. The bird-fancier was an easy shaver also, and a fashionable hair-dresser also, and perhaps he had been sent for, express, from the court end of the town, to trim a lord, or cut and curl a lady; but however that might be, there, upon his own ground, he was not; nor was there any more distinct trace of him to assist the imagination of an inquirer, than a professional print or emblem of his calling (much favoured in the trade), representing a hair-dresser of easy manners curling a lady of distinguished fashion, in the presence of a patent upright grand pianoforte.