She determined to retire. “You,” she said to Anielka, “shall now assert your claim to the first rank in the vocal art. You will maintain it. You surpass me. Often, on hearing you sing, I have scarcely been able to stifle a feeling of jealousy.”
Anielka placed her hand on Teresina’s shoulder, and kissed her.
“Yes,” continued Teresina, regardless of everything but the bright future she was shaping for her friend. “We will go to Vienna—there you will be understood and appreciated. You shall sing at the Italian Opera, and I will be by your side—unknown, no longer sought, worshipped—but will glory in your triumphs. They will be a repetition of my own; for have I not taught you? Will they not be the result of my work?”
Though Anielka’s ambition was fired, her heart was softened, and she wept violently.
Five months had scarcely elapsed when a furore was created in Vienna by the first appearance, at the Italian Opera, of the Signora Giovanna. Her enormous salary at once afforded her the means of even extravagant expenditure. Her haughty treatment of male admirers only attracted new ones; but in the midst of her triumphs, she thought often of the time when the poor orphan of Pobereze was cared for by nobody. This remembrance made her receive the flatteries of the crowd with an ironical smile; their fine speeches fell coldly on her ear, their eloquent looks made no impression on her heart: that, no change could alter, no temptation win.
In the flood of unexpected success a new misfortune overwhelmed her. Since their arrival at Vienna, Teresina’s health rapidly declined, and in the sixth month of Anielka’s operatic reign she expired, leaving all her wealth, which was considerable, to her friend.
Once more Anielka was alone in the world. Despite all the honors and blandishments of her position, the old feeling of desolateness came upon her. The new shock destroyed her health. She was unable to appear on the stage. To sing was a painful effort; she grew indifferent to what passed around her. Her greatest consolation was in succoring the poor and friendless, and her generosity was most conspicuous to all young orphan girls without fortune. She had never ceased to love her native land, and seldom appeared in society, unless it was to meet her countrymen. If ever she sang, it was in Polish.
A year had elapsed since the death of the Signora Teresina when the Count Selka, a rich noble of Volkynia, at that time in Vienna, solicited her presence at a party. It was impossible to refuse the Count and his lady, from whom she had received great kindness. She went. When in their saloons, filled with all the fashion and aristocracy in Vienna, the name of Giovanna was announced, a general murmur was heard. She entered, pale and languid, and proceeded between the two rows made for her by the admiring assembly, to the seat of honor, beside the mistress of the house.
Shortly after, the Count Selka led her to the piano. She sat down before it, and thinking what she should sing, glanced round upon the assembly. She could not help feeling that the admiration which beamed from the faces around her was the work of her own merit, for had she neglected the great gift of nature, her voice, she could not have excited it. With a blushing cheek, and eyes sparkling with honest pride, she struck the piano with a firm hand, and from her seemingly weak and delicate chest poured forth a touching Polish melody, with a voice pure, sonorous, and plaintive. Tears were in many eyes, and the beating of every heart was quickened.
The song was finished, but the wondering silence was unbroken. Giovanna leaned exhausted on the arm of the chair, and cast down her eyes. On again raising them, she perceived a gentleman who gazed fixedly at her, as if he still listened to echoes which had not yet died within him. The master of the house, to dissipate his thoughtlessness, led him towards Giovanna. “Let me present to you, Signora,” he said, “a countryman, the Count Leon Roszynski.”