‘My face, as you may perceive, is brown now, but it was pale at that time, my health not being good; and looked as long as a horse’s. Besides which, there was a great draught of air from the door, underneath the sofa, and I had tied a handkerchief round my head; so what I looked like, altogether, I don’t know. He turned blue—literally blue—when he saw me crawling out, and I couldn’t feel surprised at it.
‘“I am an officer of the Detective Police,” said I, “and have been lying here, since you first came in this morning. I regret, for the sake of yourself and your friends, that you should have done what you have; but this case is complete. You have the pocket-book in your hand and the money upon you; and I must take you into custody!”
‘It was impossible to make out any case in his behalf, and on his trial he pleaded guilty. How or when he got the means I don’t know; but while he was awaiting his sentence, he poisoned himself in Newgate.’
We inquired of this officer, on the conclusion of the foregoing anecdote, whether the time appeared long, or short, when he lay in that constrained position under the sofa?
‘Why, you see, sir,’ he replied, ‘if he hadn’t come in, the first time, and I had not been quite sure he was the thief, and would return, the time would have seemed long. But, as it was, I being dead certain of my man, the time seemed pretty short.’
ON DUTY WITH INSPECTOR FIELD
How goes the night? Saint Giles’s clock is striking nine. The weather is dull and wet, and the long lines of street lamps are blurred, as if we saw them through tears. A damp wind blows and rakes the pieman’s fire out, when he opens the door of his little furnace, carrying away an eddy of sparks.
Saint Giles’s clock strikes nine. We are punctual. Where is Inspector Field? Assistant Commissioner of Police is already here, enwrapped in oil-skin cloak, and standing in the shadow of Saint Giles’s steeple. Detective Sergeant, weary of speaking French all day to foreigners unpacking at the Great Exhibition, is already here. Where is Inspector Field?
Inspector Field is, to-night, the guardian genius of the British Museum. He is bringing his shrewd eye to bear on every corner of its solitary galleries, before he reports ‘all right.’ Suspicious of the Elgin marbles, and not to be done by cat-faced Egyptian giants with their hands upon their knees, Inspector Field, sagacious, vigilant, lamp in hand, throwing monstrous shadows on the walls and ceilings, passes through the spacious rooms. If a mummy trembled in an atom of its dusty covering, Inspector Field would say, ‘Come out of that, Tom Green. I know you!’ If the smallest ‘Gonoph’ about town were crouching at the bottom of a classic bath, Inspector Field would nose him with a finer scent than the ogre’s, when adventurous Jack lay trembling in his kitchen copper. But all is quiet, and Inspector Field goes warily on, making little outward show of attending to anything in particular, just recognising the Ichthyosaurus as a familiar acquaintance, and wondering, perhaps, how the detectives did it in the days before the Flood.