Well, my lads! How are you to-night, my lads? Playing cards here, eh? Who wins?—Why, Mr. Field, I, the sulky gentleman with the damp flat side-curls, rubbing my bleared eye with the end of my neckerchief which is like a dirty eel-skin, am losing just at present, but I suppose I must take my pipe out of my mouth, and be submissive to you—I hope I see you well, Mr. Field?—Aye, all right, my lad. Deputy, who have you got up-stairs? Be pleased to show the rooms!
Why Deputy, Inspector Field can’t say. He only knows that the man who takes care of the beds and lodgers is always called so. Steady, O Deputy, with the flaring candle in the blacking-bottle, for this is a slushy back-yard, and the wooden staircase outside the house creaks and has holes in it.
Again, in these confined intolerable rooms, burrowed out like the holes of rats or the nests of insect-vermin, but fuller of intolerable smells, are crowds of sleepers, each on his foul truckle-bed coiled up beneath a rug. Holloa here! Come! Let us see you! Show your face! Pilot Parker goes from bed to bed and turns their slumbering heads towards us, as a salesman might turn sheep. Some wake up with an execration and a threat.—What! who spoke? O! If it’s the accursed glaring eye that fixes me, go where I will, I am helpless. Here! I sit up to be looked at. Is it me you want? Not you, lie down again! and I lie down, with a woful growl.
Whenever the turning lane of light becomes stationary for a moment, some sleeper appears at the end of it, submits himself to be scrutinised, and fades away into the darkness.
There should be strange dreams here, Deputy. They sleep sound enough, says Deputy, taking the candle out of the blacking-bottle, snuffing it with his fingers, throwing the snuff into the bottle, and corking it up with the candle; that’s all I know. What is the inscription, Deputy, on all the discoloured sheets? A precaution against loss of linen. Deputy turns down the rug of an unoccupied bed and discloses it. Stop Thief!
To lie at night, wrapped in the legend of my slinking life; to take the cry that pursues me, waking, to my breast in sleep; to have it staring at me, and clamouring for me, as soon as consciousness returns; to have it for my first-foot on New-Year’s day, my Valentine, my Birthday salute, my Christmas greeting, my parting with the old year. Stop Thief!
And to know that I must be stopped, come what will. To know that I am no match for this individual energy and keenness, or this organised and steady system! Come across the street, here, and, entering by a little shop and yard, examine these intricate passages and doors, contrived for escape, flapping and counter-flapping, like the lids of the conjurer’s boxes. But what avail they? Who gets in by a nod, and shows their secret working to us? Inspector Field.
Don’t forget the old Farm House, Parker! Parker is not the man to forget it. We are going there, now. It is the old Manor-House of these parts, and stood in the country once. Then, perhaps, there was something, which was not the beastly street, to see from the shattered low fronts of the overhanging wooden houses we are passing under—shut up now, pasted over with bills about the literature and drama of the Mint, and mouldering away. This long paved yard was a paddock or a garden once, or a court in front of the Farm House. Perchance, with a dovecot in the centre, and fowls peeking about—with fair elm trees, then, where discoloured chimney-stacks and gables are now—noisy, then, with rooks which have yielded to a different sort of rookery. It’s likelier than not, Inspector Field thinks, as we turn into the common kitchen, which is in the yard, and many paces from the house.
Well, my lads and lasses, how are you all? Where’s Blackey, who has stood near London Bridge these five-and-twenty years, with a painted skin to represent disease?—Here he is, Mr. Field!—How are you, Blackey?—Jolly, sa! Not playing the fiddle to-night, Blackey?—Not a night, sa! A sharp, smiling youth, the wit of the kitchen, interposes. He an’t musical to-night, sir. I’ve been giving him a moral lecture; I’ve been a talking to him about his latter end, you see. A good many of these are my pupils, sir. This here young man (smoothing down the hair of one near him, reading a Sunday paper) is a pupil of mine. I’m a teaching of him to read, sir. He’s a promising cove, sir. He’s a smith, he is, and gets his living by the sweat of the brow, sir. So do I, myself, sir. This young woman is my sister, Mr. Field. She’s getting on very well too. I’ve a deal of trouble with ’em, sir, but I’m richly rewarded, now I see ’em all a doing so well, and growing up so creditable. That’s a great comfort, that is, an’t it, sir?—In the midst of the kitchen (the whole kitchen is in ecstasies with this impromptu ‘chaff’) sits a young, modest, gentle-looking creature, with a beautiful child in her lap. She seems to belong to the company, but is so strangely unlike it. She has such a pretty, quiet face and voice, and is so proud to hear the child admired—thinks you would hardly believe that he is only nine months old! Is she as bad as the rest, I wonder? Inspectorial experience does not engender a belief contrariwise, but prompts the answer, Not a ha’porth of difference!
There is a piano going in the old Farm House as we approach. It stops. Landlady appears. Has no objections, Mr. Field, to gentlemen being brought, but wishes it were at earlier hours, the lodgers complaining of ill-conwenience. Inspector Field is polite and soothing—knows his woman and the sex. Deputy (a girl in this case) shows the way up a heavy, broad old staircase, kept very clean, into clean rooms where many sleepers are, and where painted panels of an older time look strangely on the truckle beds. The sight of whitewash and the smell of soap—two things we seem by this time to have parted from in infancy—make the old Farm House a phenomenon, and connect themselves with the so curiously misplaced picture of the pretty mother and child long after we have left it,—long after we have left, besides, the neighbouring nook with something of a rustic flavour in it yet, where once, beneath a low wooden colonnade still standing as of yore, the eminent Jack Sheppard condescended to regale himself, and where, now, two old bachelor brothers in broad hats (who are whispered in the Mint to have made a compact long ago that if either should ever marry, he must forfeit his share of the joint property) still keep a sequestered tavern, and sit o’ nights smoking pipes in the bar, among ancient bottles and glasses, as our eyes behold them.