His memory of sorrow, wrong, and trouble, had not come back to him; he knew that it was not restored; he had no passing belief or hope that it was. But some dumb stir within him made him capable, again, of being moved by what was hidden, afar off, in the music. If it were only that it told him sorrowfully the value of what he had lost, he thanked Heaven for it with a fervent gratitude.
As the last chord died upon his ear, he raised his head to listen to its lingering vibration. Beyond the boy, so that his sleeping figure lay at its feet, the Phantom stood, immovable and silent, with its eyes upon him.
Ghastly it was, as it had ever been, but not so cruel and relentless in its aspect—or he thought or hoped so, as he looked upon it trembling. It was not alone, but in its shadowy hand it held another hand.
And whose was that? Was the form that stood beside it indeed Milly’s, or but her shade and picture? The quiet head was bent a little, as her manner was, and her eyes were looking down, as if in pity, on the sleeping child. A radiant light fell on her face, but did not touch the Phantom; for, though close beside her, it was dark and colourless as ever.
“Spectre!” said the Chemist, newly troubled as he looked, “I have not been stubborn or presumptuous in respect of her. Oh, do not bring her here. Spare me that!”
“This is but a shadow,” said the Phantom; “when the morning shines seek out the reality whose image I present before you.”
“Is it my inexorable doom to do so?” cried the Chemist.
“It is,” replied the Phantom.
“To destroy her peace, her goodness; to make her what I am myself, and what I have made of others!”
“I have said seek her out,” returned the Phantom. “I have said no more.”