Now, will you paint us a scene—the scene of which I enclose Bulwer's description from the prompter's book? It will be a cloth with a set-piece. It should be sent to your studio or put up in a theatre painting-room, as you would prefer. I have asked Stanny to do another scene, Edwin Landseer, and Louis Haghe. The Devonshire House performance will probably be on Monday, the 28th of April. I should want to have the scenery complete by the 20th, as it would require to be elaborately worked and rehearsed. You could do it in no time after sending in your pictures, and will you?
What the value of such aid would be I need not say. I say no more of the reasons that induce me to ask it, because if they are not in the prospectus they are nowhere.
On Monday and Tuesday nights I shall be in town for rehearsal, but until then I shall be here. Will you let me have a line from you in reply?
My dear Roberts, ever faithfully yours.
Description of the Scene proposed:
Streets of London in the time of George I.
In perspective, an alley inscribed Deadman's Lane; a large, old-fashioned, gloomy, mysterious house in the corner, marked No. 1. (This No. 1, Deadman's Lane, has been constantly referred to in the play as the abode of a mysterious female figure, who enters masked, and passes into this house on the scene being disclosed.) It is night, and there are moonlight mediums.
Mrs. Charles Dickens.
H. W. Office, Monday, March 26th, 1851.
My dearest Kate,
I reserve all news of the play until I come down. The Queen appoints the 30th of April. There is no end of trouble.