Washington, February 24th, 1868.
My dear Fechter,
Your letter reached me here yesterday. I have sent you a telegram (addressed to the theatre) this morning, and I write this by the earliest return mail.
My dear fellow, consider yourself my representative. Whatever you do, or desire to do, about the play, I fully authorise beforehand. Tell Webster, with my regard, that I think his proposal honest and fair; that I think it, in a word, like himself; and that I have perfect confidence in his good faith and liberality.
As to making money of the play in the United States here, Boucicault has filled Wilkie's head with golden dreams that have nothing in them. He makes no account of the fact that, wherever I go, the theatres (with my name in big letters) instantly begin playing versions of my books, and that the moment the Christmas number came over here they pirated it and played "No Thoroughfare." Now, I have enquired into the law, and am extremely doubtful whether I could have prevented this. Why should they pay for the piece as you act it, when they have no actors, and when all they want is my name, and they can get that for nothing?
Wilkie has uniformly written of you enthusiastically. In a letter I had from him, dated the 10th of January, he described your conception and execution of the part in the most glowing terms. "Here Fechter is magnificent." "Here his superb playing brings the house down." "I should call even his exit in the last act one of the subtlest and finest things he does in the piece." "You can hardly imagine what he gets out of the part, or what he makes of his passionate love for Marguerite." These expressions, and many others like them, crowded his letter.
I never did so want to see a character played on the stage as I want to see you play Obenreizer. As the play was going when I last heard of it, I have some hopes that I may see it yet. Please God, your Adelphi dressing-room will be irradiated with the noble presence of "Never Wrong" (if you are acting), about the evening of Monday, the 4th of May!
I am doing enormous business. It is a wearying life, away from all I love, but I hope that the time will soon begin to spin away. Among the many changes that I find here is the comfortable change that the people are in general extremely considerate, and very observant of my privacy. Even in this place, I am really almost as much my own master as if I were in an English country town. Generally, they are very good audiences indeed. They do not (I think) perceive touches of art to be art; but they are responsive to the broad results of such touches. "Doctor Marigold" is a great favourite, and they laugh so unrestrainedly at "The Trial" from "Pickwick" (which you never heard), that it has grown about half as long again as it used to be.
If I could send you a "brandy cocktail" by post I would. It is a highly meritorious dram, which I hope to present to you at Gad's. My New York landlord made me a "Rocky Mountain sneezer," which appeared to me to be compounded of all the spirits ever heard of in the world, with bitters, lemon, sugar, and snow. You can only make a true "sneezer" when the snow is lying on the ground.
There, my dear boy, my paper is out, and I am going to read "Copperfield." Count always on my fidelity and true attachment, and look out, as I have already said, for a distinguished visitor about Monday, the 4th of May.