It now only remained that Mr Slum’s compositions should be judiciously distributed; that the pathetic effusions should find their way to all private houses and tradespeople; and that the parody commencing ‘If I know’d a donkey,’ should be confined to the taverns, and circulated only among the lawyers’ clerks and choice spirits of the place. When this had been done, and Mrs Jarley had waited upon the boarding-schools in person, with a handbill composed expressly for them, in which it was distinctly proved that wax-work refined the mind, cultivated the taste, and enlarged the sphere of the human understanding, that indefatigable lady sat down to dinner, and drank out of the suspicious bottle to a flourishing campaign.
CHAPTER 29
Unquestionably Mrs Jarley had an inventive genius. In the midst of the various devices for attracting visitors to the exhibition, little Nell was not forgotten. The light cart in which the Brigand usually made his perambulations being gaily dressed with flags and streamers, and the Brigand placed therein, contemplating the miniature of his beloved as usual, Nell was accommodated with a seat beside him, decorated with artificial flowers, and in this state and ceremony rode slowly through the town every morning, dispersing handbills from a basket, to the sound of drum and trumpet. The beauty of the child, coupled with her gentle and timid bearing, produced quite a sensation in the little country place. The Brigand, heretofore a source of exclusive interest in the streets, became a mere secondary consideration, and to be important only as a part of the show of which she was the chief attraction. Grown-up folks began to be interested in the bright-eyed girl, and some score of little boys fell desperately in love, and constantly left enclosures of nuts and apples, directed in small-text, at the wax-work door.
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This desirable impression was not lost on Mrs Jarley, who, lest Nell should become too cheap, soon sent the Brigand out alone again, and kept her in the exhibition room, where she described the figures every half-hour to the great satisfaction of admiring audiences. And these audiences were of a very superior description, including a great many young ladies’ boarding-schools, whose favour Mrs Jarley had been at great pains to conciliate, by altering the face and costume of Mr Grimaldi as clown to represent Mr Lindley Murray as he appeared when engaged in the composition of his English Grammar, and turning a murderess of great renown into Mrs Hannah More—both of which likenesses were admitted by Miss Monflathers, who was at the head of the head Boarding and Day Establishment in the town, and who condescended to take a Private View with eight chosen young ladies, to be quite startling from their extreme correctness. Mr Pitt in a nightcap and bedgown, and without his boots, represented the poet Cowper with perfect exactness; and Mary Queen of Scots in a dark wig, white shirt-collar, and male attire, was such a complete image of Lord Byron that the young ladies quite screamed when they saw it. Miss Monflathers, however, rebuked this enthusiasm, and took occasion to reprove Mrs Jarley for not keeping her collection more select: observing that His Lordship had held certain opinions quite incompatible with wax-work honours, and adding something about a Dean and Chapter, which Mrs Jarley did not understand.
Although her duties were sufficiently laborious, Nell found in the lady of the caravan a very kind and considerate person, who had not only a peculiar relish for being comfortable herself, but for making everybody about her comfortable also; which latter taste, it may be remarked, is, even in persons who live in much finer places than caravans, a far more rare and uncommon one than the first, and is not by any means its necessary consequence. As her popularity procured her various little fees from the visitors on which her patroness never demanded any toll, and as her grandfather too was well-treated and useful, she had no cause of anxiety in connexion with the wax-work, beyond that which sprung from her recollection of Quilp, and her fears that he might return and one day suddenly encounter them.
Quilp indeed was a perpetual night-mare to the child, who was constantly haunted by a vision of his ugly face and stunted figure. She slept, for their better security, in the room where the wax-work figures were, and she never retired to this place at night but she tortured herself—she could not help it—with imagining a resemblance, in some one or other of their death-like faces, to the dwarf, and this fancy would sometimes so gain upon her that she would almost believe he had removed the figure and stood within the clothes. Then there were so many of them with their great glassy eyes—and, as they stood one behind the other all about her bed, they looked so like living creatures, and yet so unlike in their grim stillness and silence, that she had a kind of terror of them for their own sakes, and would often lie watching their dusky figures until she was obliged to rise and light a candle, or go and sit at the open window and feel a companionship in the bright stars. At these times, she would recall the old house and the window at which she used to sit alone; and then she would think of poor Kit and all his kindness, until the tears came into her eyes, and she would weep and smile together.
Often and anxiously at this silent hour, her thoughts reverted to her grandfather, and she would wonder how much he remembered of their former life, and whether he was ever really mindful of the change in their condition and of their late helplessness and destitution. When they were wandering about, she seldom thought of this, but now she could not help considering what would become of them if he fell sick, or her own strength were to fail her. He was very patient and willing, happy to execute any little task, and glad to be of use; but he was in the same listless state, with no prospect of improvement—a mere child—a poor, thoughtless, vacant creature—a harmless fond old man, susceptible of tender love and regard for her, and of pleasant and painful impressions, but alive to nothing more. It made her very sad to know that this was so—so sad to see it that sometimes when he sat idly by, smiling and nodding to her when she looked round, or when he caressed some little child and carried it to and fro, as he was fond of doing by the hour together, perplexed by its simple questions, yet patient under his own infirmity, and seeming almost conscious of it too, and humbled even before the mind of an infant—so sad it made her to see him thus, that she would burst into tears, and, withdrawing into some secret place, fall down upon her knees and pray that he might be restored.