It is not generally known that a by no means inconsiderable portion of the drama was composed by Dickens, as testified by the original manuscripts of the play and of the prompt-book, which contain numerous additions and corrections in his handwriting. These manuscripts, by the way, realised £300 at Sotheby’s in 1890.
The main idea of A Tale of Two Cities was conceived by Dickens when performing in The Frozen Deep. ‘A strong desire was upon me then,’ he writes in the preface to the story, ‘to embody it in my own person; and I traced out in my fancy the state of mind of which it would necessitate the presentation to an observant spectator, with particular care and interest. As the idea became familiar to me, it gradually shaped itself into its present form. Throughout its execution, it has had complete possession of me: I have so far verified what is done and suffered in these pages, as that I have certainly done and suffered it all myself.’
PROLOGUE TO ‘THE FROZEN DEEP’
(Curtain rises; mists and darkness; soft music throughout.)
A CHILD’S HYMN FROM
‘THE WRECK OF THE GOLDEN MARY’
1856