The attorney was in high glee, for the embarrassed coach-horser was ordered to be discharged forthwith. He highly approved of Sam’s attachment to his master; declared that it strongly reminded him of his own feelings of devotion to his friend the Chancellor; and at once led the elder Mr. Weller down to the Temple, to swear the affidavit of debt, which the boy, with the assistance of the blue bag, had drawn up on the spot.

Meanwhile, Sam, having been formally introduced to the white-washed gentleman and his friends, as the offspring of Mr. Weller, of the Belle Savage, was treated with marked distinction, and invited to regale himself with them in honour of the occasion; an invitation which he was by no means backward in accepting.

The mirth of gentlemen of this class is of a grave and quiet character, usually; but the present instance was one of peculiar festivity, and they relaxed in proportion. After some rather tumultuous toasting of the Chief Commissioner and Mr. Solomon Pell, who had that day displayed such transcendent abilities, a mottled-faced gentleman in a blue shawl proposed that somebody should sing a song. The obvious suggestion was, that the mottled-faced gentleman, being anxious for a song, should sing it himself; but this the mottled-faced gentleman sturdily, and somewhat offensively, declined to do. Upon which, as is not unusual in such cases, a rather angry colloquy ensued.

“Gentlemen,” said the coach-horser, “rather than disturb the harmony of this delightful occasion, perhaps Mr. Samuel Weller will oblige the company.”

“Raly, gentlemen,” said Sam, “I’m not wery much in the habit o’ singin’ without the instrument: but anythin’ for a quiet life, as the man said when he took the sitivation at the light-house.”

With this prelude, Mr. Samuel Weller burst at once into the following wild and beautiful legend, which, under the impression that it is not generally known, we take the liberty of quoting. We would beg to call particular attention to the monosyllable at the end of the second and fourth lines, which not only enables the singer to take breath at those points, but greatly assists the metre.

ROMANCE

I

Bold Turpin vunce, on Hounslow Heath,
His bold mare Bess bestrode—er;
Ven there he see’d the Bishop’s coach
A-coming along the road—er;
So he gallops close to the ’orses’ legs,
And he claps his head vithin;
And the Bishop says, “Sure as eggs is eggs,
This here’s the bold Turpin!”