“But the music, the scenery, were never before so good,” I replied to these cynical observations.
“That is true. And the social side has risen with it. Do you know what an impudent thing the managers did the other night in protesting against the raising of the lights by which the house was made brilliant and the cheap illusions of the stage were destroyed? They wanted to make the house positively gloomy for the sake of a little artificial moonlight on the painted towers and the canvas lakes.”
As the world goes, the scene was brilliant, of course with republican simplicity. The imagination was helped by no titled names any more than the eye was by the insignia of rank, but there was a certain glow of feeling, as the glass swept the circle, to know that there were ten millions in this box, and twenty in the next, and fifty in the next, attested well enough by the flash of jewels and the splendor of attire, and one might indulge a genuine pride in the prosperity of the republic. As for beauty, the world, surely, in this later time, had flowered here—flowered with something of Aspasia's grace and something of the haughty coldness of Agrippina. And yet it was American. Here and there in the boxes was a thoroughbred portrait by Copley—the long shapely neck, the sloping shoulders, the drooping eyelids, even to the gown in which the great-grandmother danced with the French officers.
“Who is that lovely creature?” asked Margaret, indicating a box opposite.
I did not know. There were two ladies, and behind them I had no difficulty in making out Henderson and—Margaret evidently had not seen him Mr. Lyon. Almost at the same moment Henderson recognized me, and signaled for me to come to his box. As I rose to do so, Mrs. Morgan exclaimed: “Why, there is Mr. Lyon! Do tell him we are here.” I saw Margaret's color rise, but she did not speak.
I was presented to Mrs. Eschelle and her daughter; in the latter I recognized the beauty who had flashed by us in the Park. The elder lady inclined to stoutness, and her too youthful apparel could not mislead one as to the length of her pilgrimage in this world, nor soften the hard lines of her worldly face-lines acquired, one could see, by a social struggle, and not drawn there by an innate patrician insolence.
“We are glad to see a friend of Mr. Henderson's,” she said, “and of Mr. Lyon's also. Mr. Lyon has told us much of your charming country home. Who is that pretty girl in your box, Mr. Fairchild?”
Miss Eschelle had her glass pointed at Margaret as I gave the desired information.
“How innocent!” she murmured. “And she's quite in the style—isn't she, Mr. Lyon?” she asked, turning about, her sweet mobile face quite the picture of what she was describing. “We are all innocent in these days.”
“It is a very good style,” I said.