If we may believe the Moslems and doubt our own senses, this rock is suspended in the air, having no support on any side. It was to this rock that Mohammed made his midnight journey on El Burak; it was from here that he ascended into Paradise, an excursion that occupied him altogether only forty minutes. It is, I am inclined to think, the miraculous suspension of this stone that is the basis of the Christian fable of the suspension of Mohammed's coffin,—a miracle unknown to all Moslems of whom I have inquired concerning it.

“Abd-el-Atti,” I said, “does this rock rest on nothing?”

“So I have hunderstood; thim say so.”

“But do you believe it?”

“When I read him, I believe; when I come and see him, I can't help what I see.”

At the south end of the rock we descended a flight of steps and stood under the rock in what is called the Noble Cave, a small room about six feet high, plastered and whitewashed. This is supposed to be the sink into which the blood of the Jewish sacrifices drained. The plaster and whitewash hide the original rock, and give the Moslems the opportunity to assert that there is no rock foundation under the big stone.

“But,” we said to Abd-el-Atti, “if this rock hangs in the air, why cannot we see all around it? Why these plaster walls that seem to support it?”

“So him used to be. This done so, I hear, on account of de women. Thim come here, see this rock, thim berry much frightened. Der little shild, what you call it, get born in de world before him wanted. So thim make this wall under it.”

There are four altars in this cave, one of them dedicated to David; here the Moslem prophets, Abraham, David, Solomon, and Jesus, used to pray. In the rock is a round indentation made by Mohammed's head when he first attempted to rise to heaven; near it is the hole through which he rose. On the upper southeast corner of the rock is the print of the prophet's foot, and close to it the print of the hand of the angel Michael, who held the rock down from following Mohammed into the skies.

In the mosque above, Abd-el-Atti led us, with much solemnity, to a small stone set in the pavement near the north entrance. It was perforated with holes, in some of which were brass nails.