In the third room of vases and terra-cottas were some most valuable and interesting specimens. The bronze-room yielded several high candelabra, lamp-holders, lamps, statuettes, bulls'-heads, bowls, vases, jugs, patera, fibula, rings, bracelets, mirrors, etc. Nearly all the objects in the four rooms seem to have been “votive offerings,” and testify a pagan devotion to the gods not excelled by Christian generosity to the images and shrines of modern worship. The inscriptions betoken the votive character of these treasures; that upon the heavy gold armlets is in the genitive case, and would be literally translated “Etevandri Regis Paplii,” the words “offering of” being understood to precede it.
I confess that the glitter of these treasures, and the glamour of these associations with the ingenious people of antiquity, transformed the naked island of Cyprus, as we lay off it in the golden sunset, into a region of all possibilities, and I longed to take my Strabo and my spade and wander off prospecting for its sacred placers. It seemed to me, when we weighed anchor at seven o'clock, that we were sailing away from subterranean passages stuffed with the curious treasures of antiquity, from concealed chambers in which one, if he could only remove the stone slab of the door, would pick up the cunning work of the Phoenician jewellers, the barbarous ornaments of the Assyrians, the conceits in gold and silver of the most ancient of peoples, the Egyptians.
XIX.—THROUGH SUMMER SEAS.—RHODES.
AT daylight next morning we could just discern Cyprus sinking behind us in the horizon. The day had all the charm with which the poets have invested this region; the sea was of the traditional indigo blue,—of which the Blue Grotto of Capri is only a cheap imitation. No land was in sight, after we lost Cyprus, but the spirit of the ancient romance lay upon the waters, and we were soothed with the delights of an idle existence. As good a world as can be made with a perfect sea and a perfect sky and delicious atmosphere we had.
Through this summer calm voyages our great steamer, a world in itself, an exhibition, a fair, a fête, a camp-meeting, cut loose from the earth and set afloat. There are not less than eight hundred pilgrims on board, people known as first-class and second-class stowed in every nook and corner. Forward of the first cabin, the deck of the long vessel is packed with human beings, two deep and sometimes crossed, a crowd which it is almost impossible to penetrate. We look down into the hold upon a mass of bags and bundles and Russians heaped indiscriminately together,—and it is very difficult to distinguish a Russian woman from a bundle of old clothes, when she is in repose. These people travel with their bedding, their babies, and their cooking utensils, and make a home wherever they sit down.
The forward passengers have overflowed their limits and extend back upon our portion of the deck, occupying all one side of it to the stern, leaving the so-called privileged class only a narrow promenade on the starboard side. These intruders are, however, rather first-class second-class. Parties of them are camped down in small squares, which become at once miniature seraglios. One square is occupied by wealthy Moslems from Damascus, and in another is a stately person who is rumored to be the Prince of Damascus. These turbaned and silk-clad Orientals have spread their bright rugs and cushions, and lounge here all day and sleep here at night; some of them entertain themselves with chess, but the most of them only smoke and talk little. Why should they talk? has not enough already been said in the world? At intervals during the day, ascertaining, I do not know how, the direction of Mecca, these grave men arise, spread their prayer-carpets, and begin in unison their kneelings and prostrations, servants and masters together, but the servants behind their masters. Next to them, fenced off by benches, is a harem square, occupied by veiled women, perhaps the wives of these Moslems and perhaps “some others.” All the deck is a study of brilliant costume.
A little later the Oriental prince turns out to be only a Turkish pasha, who has a state-room below for himself, and another for his harem; but in another compartment of our flower-bed of a deck is a merchant-prince of Damascus, whose gorgeousness would impose upon people more sophisticated than we.
“He no prince; merchant like me,” explains Achmed, “and very rich, God be merciful.”