My Winter on the Nile / Eighteenth Edition

by Charles Dudley Warner

“What for de Governor come to me? What for he not go to dat boat what fire de rocket? What for de Governor come been call on me wid a rocket? The Governor never come been call on me wid a rocket before!”

It is customary for all boats which are going above the first cataract to stop at Esneh twenty-four hours to bake bread for the crew; frequently they are detained longer, for the wheat has to be bought, ground in one of the little ox-power mills, mixed and baked; and the crew hire a mill and oven for the time being and perform the labor. We had sent sailors ahead to bake the bread, and it was ready in the morning; but we stayed over., according to immemorial custom. The sailors are entitled to a holiday, and they like to take it where there are plenty of coffee-houses and a large colony of Ghawazee girls.

Esneh is not a bad specimen of an Egyptian town. There is a temple here, of which only the magnificent portico has been excavated; the remainder lies under the town. We descend some thirty feet to get to the floor of the portico,—to such a depth has it been covered. And it is a modern temple, after all, of the period of the Roman occupation. We find here the cartouches of the Cæsars. The columns are elegant and covered with very good sculpture; each of the twenty-five has a different capital, and some are developed into a hint of the Corinthian and the composite. The rigid constraints of the Egyptian art are beginning to give way.

The work in the period of the Romans differs much from the ancient; it is less simple, more ornamented and debased. The hieroglyphics are not so carefully and nicely cut. The figures are not so free in drawing, and not so good as the old, except that they show more anatomical knowledge, and begin to exhibit a little thought of perspective. The later artists attempt to work out more details in the figure, to show muscles and various members in more particularity. Some of the forms and faces have much beauty, but most of them declare a decline of art, or perhaps an attempt to reconcile the old style with new knowledge, and consequent failure.

We called on the governor. He was absent at the mosque, but his servant gave us coffee. The Oriental magnificence of the gubernatorial residence would impress the most faithless traveler. The entrance was through a yard that would be a fair hen-yard (for common fowl) at home, and the small apartment into which we were shown might serve for a stable; but it had a divan, some carpets and chairs, and three small windows. Its roof was flat, made of rough split palm-trees covered with palm-leaves. The governor's lady lives somewhere in the rear of this apartment of the ruler, in a low mud-house, of which we saw the outside only.

Passing near the government house, we stopped in to see the new levy of soldiers, which amounts to some four hundred from this province. Men are taken between the ages of eighteen and twenty-four, and although less than three per cent, of those liable are seized, the draft makes a tremendous excitement all along the river. In some places the bazaars are closed and there is a general panic as if pestilence had broken out.

Outside the government house, and by the river bank, are women, squatting in the sand, black figures of woe and dirt, bewailing their relations taken away. In one mud-hovel there is so much howling and vocal grief that we think at first a funeral is in progress. We are permitted to look into the lock-up where the recruits are detained waiting transportation down the river. A hundred or two fellaheen, of the average as to nakedness and squalor of raiment, are crowded into a long room with a dirt floor, and among them are many with heavy chains on their ankles. These latter are murderers and thieves, awaiting trial or further punishment. It is in fact the jail, and the soldiers are forced into this companionship until their departure. One would say this is a bad nursery for patriots.

The court of justice is in the anteroom of this prison; and the two ought to be near together. The Kadi, or judge, sits cross-legged on the ground, and others squat around him, among them a scribe. When we enter, we are given seats on a mat near the judge, and offered coffee and pipes. This is something like a court of justice, sociable and friendly. It is impossible to tell who is prisoner, who are witnesses, and who are spectators. All are talking together, the prisoner (who is pointed out) louder than any other, the spectators all joining in with the witnesses. The prisoner is allowed to “talk back,” which must be a satisfaction to him. When the hubbub subsides, the judge pronounces sentence; and probably he does as well as an ordinary jury.

The remainder of this town is not sightly. In fact I do not suppose that six thousand people could live in one dirtier, dustier, of more wretched houses; rows of unclean, shriveled women, with unclean babies, their eyes plastered with flies, sitting along the lanes called streets; plenty of men and boys in no better case as to clothing; but the men are physically superior to the women. In fact we see no comely women except the Ghawazees. Upon the provisions, the grain, the sweet-cakes exposed for sale on the ground, flies settle so that all look black.

Not more palaces and sugar-mills, O! Khedive, will save this Egypt, but some plan that will lift these women out of dirt and ignorance!