My Winter on the Nile / Eighteenth Edition

by Charles Dudley Warner

The two play together very prettily, and when I leave them they have lain down to sleep, face to face, with their arms round each other's necks, like the babes in the wood. The lovely leopard occasionally rises to his feet and looks at them, and then lies down again, giving a soft sweep to his long and rather vicious tail. His countenance is devoid of the nobility of the lion's. The lion's face inspires you with confidence; but I can see little to trust in the yellow depths of his eyes. The lion's eyes, like those of all untamed beasts, have the repulsive trait of looking at you without any recognition in them—the dull glare of animality.

The next morning, when the wind falls, we slip out from our cover, like the baffled mariners of Jason, and row past the bold, purplish-grey cliff of Gebel Sheykh Herëedee, in which are grottoes and a tomb of the sixth dynasty, and on to Tahta, a large town, almost as picturesque, in the distance, with its tall minarets and one great, red-colored building, as Venice from the Lido. Then the wind rises, and we are again tantalized with no progress. One likes to dally and eat the lotus by his own will; but when the elements baffle him, and the wind blows contrary to his desires, the old impatience, the free will of ancient Adam, arises, and man falls out of his paradise. We are tempted to wish to be hitched (just for a day, or to get round a bend,) to one of these miserable steamboats that go swashing by, frightening all the gamebirds, and fouling the sweet air of Egypt with the black smoke of their chimneys.

In default of going on, we climb a high spur of the Mokat-tam, which has a vast desert plain on each side, and in front, and up and down the very crooked river (the wind would need to change every five minutes to get us round these bends), an enormous stretch of green fields, dotted with villages, flocks of sheep and cattle, and strips of palm-groves. Whenever we get in Egypt this extensive view over mountains, desert, arable land, and river it is always both lovely and grand. There was this afternoon on the bare limestone precipices a bloom as of incipient spring verdure. There is always some surprise of color for the traveler who goes ashore, or looks from his window, on the Nile,—either in the sky, or in the ground which has been steeped in color for so many ages that even the brown earth is rich.

The people hereabouts have a bad reputation, perhaps given them by the government, against which they rebelled on account of excessive taxes; the insurrection was reduced by knocking a village or two into the original dust with cannon balls. We, however, found the inhabitants very civil. In the village was one of the houses of entertainment for wanderers—a half-open cow-shed it would be called in less favored lands. The interior was decorated with the rudest designs in bright colors, and sentences from the Koran; we were told that any stranger could lodge in it and have something to eat and drink; but I should advise the coming traveler to bring his bed, and board also. We were offered the fruit of the nabbek tree (something like a sycamore), a small apple, a sort of cross between the thorn and the crab, with the disagreeable qualities of both. Most of the vegetables and fruits of the valley we find insipid; but the Fellaheen seem to like neutral flavors as they do neutral colors. The almost universal brown of the gowns in this region harmonizes with the soil, and the color does not show dirt; a great point for people who sit always on the ground.

The next day we still have need of patience; we start, meet an increasing wind, which whirls us about and blows us up stream. We creep under a bank and lie all day, a cold March day, and the air dark with dust.

After this Sunday of rest, we walk all the following morning through fields of wheat and lentils, along the shore. The people are uninteresting, men gruff; women ugly; clothes scarce; fruit, the nabbek, which a young lady climbs a tree to shake down for us. But I encountered here a little boy who filled my day with sunshine.

He was a sort of shepherd boy, and I found him alone in a field, the guardian of a donkey which was nibbling coarse grass. But his mind was not on his charge, and he was so much absorbed in his occupation that he did not notice my approach. He was playing, for his own delight and evidently with intense enjoyment, upon a reed pipe—an instrument of two short reeds, each with four holes, bound together, and played like a clarionet.

Its compass was small, and the tune ran round and round in it, accompanied by one of the most doleful drones imaginable. Nothing could be more harrowing to the nerves. I got the boy to play it a good deal. I saw that it was an antique instrument (it was in fact Pan's pipe unchanged in five thousand years), and that the boy was a musical enthusiast—a gentle Mozart who lived in an ideal world which he created for himself in the midst of the most forlorn conditions. The little fellow had the knack of inhaling and blowing at the same time, expanding his cheeks, and using his stomach like the bellows of the Scotch bagpipe, and producing the same droning sound as that delightful instrument. But I would rather hear this boy half a day than the bagpipe a week.

I talked about buying the pipe, but the boy made it himself, and prized it so highly that I could not pay him what he thought it was worth, and I had not the heart to offer its real value. Therefore I left him in possession of his darling, and gave him half a silver piastre. He kissed it and thanked me warmly, holding the unexpected remuneration for his genius in his hand, and looking at it with shining eyes. I feel an instant pang, and I am sorry that I gave it to him. I have destroyed the pure and ideal world in which he played to himself, and tainted the divine love of sweet sounds with the idea of gain and the scent of money. The serenity of his soul is broken up, and he will never again be the same boy, exercising his talent merely for the pleasure of it. He will inevitably think of profit, and will feverishly expect something from every traveler. He may even fall so far as to repair to landings where boats stop, and play in the hope of backsheesh.

At night we came to Assiout, greeted from afar by the sight of its slender and tall minarets and trees, on the rosy background of sunset.