And yet, in fact, the scenery changes little during the day. There are great reaches of river, rapidly flowing, and wide bends across which we see vessels sailing as if in the meadows. The river is crowded all day with boats, pleasure dahabeëhs, and trading vessels uncouth and picturesque. The passenger dahabëeh is long, handsomely painted, carries an enormous sail on its long yard, has a national flag and a long streamer; and groups of white people sit on deck under the awning; some of them are reading, some sketching, and now and then a man rises and discharges his shot-gun at a flock of birds a half a mile beyond its range.
The boats of African traders are short, high-pooped, and have the rudder stepped out behind. They usually carry no flag, and are dirty and lack paint, but they carry a load that would interest the most blasé European. Those bound up-stream, under full sail, like ourselves, are piled with European boxes and bales, from stem to stern; and on top of the freight, in the midst of the freight, sitting on it, stretched out on it, peeping from it, is another cargo of human beings, men, women and children, black, yellow, clothed in all the hues of heaven and the rags of earth. It is an impassive load that stares at us with incurious, unwinking eyes.
The trading boats coming down against the current, are even more strange and barbarous. They are piled with merchandise, but of a different sort. The sails and yards are down, and the long sweeps are in motion, balanced on outriggers, for the forward deck is filled, and the rowers walk on top of the goods as they move the oars to and fro. How black the rowers are! How black everybody on board is! They come suddenly upon us, like those nations we have read of, who sit in great darkness. The rowers are stalwart fellows whose basalt backs shine in the sun as they bend to the oar; in rowing they walk towards the cabin and pull the heavy oars as they step backwards, and every sweep is accompanied by the burst of a refrain in chorus, a wild response to a line that has been chanted by the leader as they stepped forwards. The passengers sit immoveable in the sun and regard us with a calmness and gravity which are only attainable near the equatorial regions, where things approach an equilibrium.
Sometimes we count nearly one hundred dahabeëhs in sight, each dipping or veering or turning in the sun its bird-wing sail—the most graceful in the world. A person with fancies, who is watching them, declares that the triangular sails resemble quills cut at the top for pens, and that the sails, seen over the tongue of land of a long bend ahead, look like a procession of goose quills.
The day is warm enough to call out all the birds; flocks of wild geese clang overhead, and companies of them, ranks on ranks, stand on the low sand-dunes; there are pelicans also, motionless in the shallow water near the shore, meditating like a derweesh on one leg, and not caring that the thermometer does mark 740. Little incidents entertain us. We like to pass the Dongola, flying “Ohio” from its yard, which took advantage of our stopping for milk early in the morning to go by us. We overhaul an English boat and have a mildly exciting race with her till dark, with varying fortune, the boats being nearly a match, and the victory depending upon some trick or skill on the part of the crew. All the party look at us, in a most unsympathetic manner, through goggles, which the English always put on whenever they leave the twilight of England. I do not know that we have any right to complain of this habit of wearing wire eye-screens and goggles; persons who have it mean no harm by it, and their appearance is a source of gratification to others. But I must say that goggles have a different effect in different lights. When we were sailing slowly past the Englishman, the goggles regarded us with a feeble and hopeless look. But when the Englishman was, in turn, drawing ahead of us, the goggles had a glare of “Who the devil are you?” Of course it was only in the goggles. For I have seen many of these races on the Nile, and passengers always affect an extreme indifference, leaving all demonstrations of interest to the crews of the boats.
The two banks of the river keep all day about the same relative character—the one sterile, the other rich. On the east, the brown sand licks down almost to the water; there is only a strip of green; there are few trees, and habitations only at long intervals. Only a little distance back are the Mokattam hills, which keep a rarely broken and level sky-line for two hundred and fifty miles south of Cairo.
The west side is a broad valley. The bank is high and continually caving in, like the alluvial bottoms of the Missouri; it is so high that from our deck we can see little of the land. There are always, however, palm-trees in sight, massed in groves, standing in lines, or waving their single tufts in the blue. These are the date-palms, which have no branches on their long poles; each year the old stalks are cut off for fuel, and the trunk, a mass of twisted fibres, comes to have a rough bark, as if the tree had been shingled the wrong way. Stiff in form and with only the single crown of green, I cannot account for its effect of grace and beauty. It is the life of the Nile, as the Nile is life to it. It bears its annual crop of fruit to those who want it, and a crop of taxes for the Khedive. Every palm pays in fact a poll-tax, whether it brings forth dates or not.
Where the bank slopes we can see the springing wheat and barley darkly green; it is sown under the palms even, for no foot of ground is left vacant. All along the banks are shadoofs, at which men in black stand all day raising water, that flows back in regulated streams; for the ground falls slightly away from the height of the bank. At intervals appears a little collection of mud hovels, dumped together without so much plan as you would find in a beaver settlement, but called a village, and having a mud minaret and perhaps a dome. An occasional figure is that of a man plowing with a single ox; it has just the stiff square look of the sculptures in the tombs.
Now and then where a zig-zag path is cut, or the bank slopes, women are washing clothes in the river, or groups of them are filling their water-jars. They come in files from the villages and we hear their shrill voices in incessant chatter. These country-women are invariably in black or dark brown; they are not veiled, but draw their head shawl over the face as our boat passes. Their long gowns are drawn up, exposing bare feet and legs as they step into the stream. The jars are large and heavy when unfilled, and we marvel how they can raise them to their heads when they are full of water. The woman drags her jar out upon the sand, squats before it, lifts it to her head with her hands, and then rises steadily and walks up the steep bank and over the sand, holding her robe with one hand and steadying the jar with the other, with perfect grace and ease of motion. The strength of limbs required to raise that jar to the head and then rise with it, ought to be calculated by those in our own land who are striving to improve the condition of woman.
We are still flying along with the unfailing wind, and the merry progress communicates its spirit to the crew. Before sunset they get out their musical instruments, and squatting in a circle on the forward deck, prepare to enjoy themselves. One thumps and shakes the tambourine, one softly beats with his fingers the darabooka drum, and another rattles castanets. All who are not so employed beat time by a jerking motion of the raised hands, the palms occasionally coming together when the rhythm is properly accented. The leader, who has a very good tenor voice, chants a minor and monotonous love-song to which the others respond, either in applause of the sentiment or in a burst of musical enthusiasm which they cannot contain. Ahmed, the Nubian, whose body is full of Congoism, enters into it with a delightful abandon, swaying from side to side and indulging in an occasional shout, as if he were at a camp-meeting. His ugly and good-natured face beams with satisfaction, an expression that is only slightly impaired by the vacant place where two front teeth ought to shine. The song is rude and barbarous but not without a certain plaintiveness; the song, and scene belong together. In this manner the sailors of the ancient Egyptians amused themselves without doubt; their instruments were the same; thus they sat upon the ground, thus they clapped hands, thus they improvised ejaculations to the absent beloved:—