Life on the dahabeëh is much as usual; in fact, we are only waiting a favorable wind to pursue our voyage, expecting to see Thebes satisfactorily on our return. Of the inhabitants and social life of Luxor, we shall have more to say by and by. We have daily a levee of idlers on the bank, who spend twilight hours in watching the boat; we are visited by sharp-eyed dealers in antiquities, who pull out strings of scarabæi from their bosoms, or cautiously produce from under their gowns a sculptured tablet, or a stone image, or some articles from a mummy-case—antiques really as good as new. Abd-el-Atti sits on the forward-deck cheapening the poor chickens with old women, and surrounded by an admiring group of Arab friends, who sit all day smoking and sipping coffee, and kept in a lively enjoyment by his interminable facetiae and badinage.
Our most illustrious visitors are the American consul, Ali Effendi Noorad, and the English consul, Mustapha Aga. Ali is a well-featured, bronze-complexioned Arab of good family (I think of the Ababdehs), whose brother is Sheykh of a tribe at Karnak.
He cannot speak English, but he has a pleasanter smile than any other American consul I know. Mustapha, now very old and well known to all Nile travelers, is a venerable wise man of the East, a most suave, courtly Arab, plausible, and soft of speech; under his bushy eyebrows one sees eyes that are keen and yet glazed with a film of secrecy; the sort of eye that you cannot look into, but which you have no doubt looks into you.
Mustapha, as I said, built his house between two columns of the temple of Luxor. These magnificent columns, with flaring lotus capitals, are half-buried in sand, and the whole area is so built in and over by Arab habitations that little of the once extensive and splendid structure can be seen. Indeed, the visitor will do well to be content with the well-known poetic view of the columns from the river. The elegant obelisk, whose mate is in Paris, must however be seen, as well as the statues of Rameses II. sitting behind it up to their necks in sand—as if a sitz-bath had been prescribed. I went one day into the interior of the huts, in order to look at some of the sculptures, especially that of a king's chariot which is shaded by a parasol—an article which we invented three or four thousand years after the Egyptians, who first used it, had gone to the shades where parasols are useless. I was sorry that I went. The private house I entered was a mud enclosure with a creaky wooden door. Opening this I found myself in what appeared to be a private hen-yard, where babies, chickens, old women, straw, flies, and dust, mingled with the odors of antiquity; about this were the rooms in which the family sleep—mere dog-kennels. Two of the women had nose-rings put through the right nostril, hoops of gold two or three inches across. I cannot say that a nose-ring adds to a woman's beauty, but if I had to manage a harem of these sharp-tongued creatures I should want rings in their noses—it would need only a slight pull of the cord in the ring to cause the woman to cry, in Oriental language, “where thou goest, I will go.” The parasol sculpture was half-covered by the mud-wall and the oven; but there was Pharaoh visible, riding on in glory through all this squalor. The Pharaohs and priests never let one of the common people set foot inside these superb temples; and there is a sort of base satisfaction now! in seeing the ignorant and oppressed living in their palaces, and letting the hens roost on Pharaoh's sun-shade. But it was difficult to make picturesque the inside of this temple-palace, even with all the flowing rags of its occupants.
We spend a day in a preliminary visit to the Memnonium and the vast ruins known as those of Medeenet Hâboo. Among our attendants over the plain are half a dozen little girls, bright, smiling lasses, who salute us with a cheery “Good morning,” and devote themselves to us the whole day. Each one carries on her head a light, thin water-koolleh, that would hold about a quart, balancing it perfectly as she runs along. I have seen mere infants carrying very small koollehs, beginning thus young to learn the art of walking with the large ones, which is to be the chief business of their lives.
One of the girls, who says her name is Fatimeh (the name of the Prophet's favorite daughter is in great request), is very pretty, and may be ten or eleven years old, not far from the marriageable age. She has black hair, large, soft, black eyes, the lids stained with kohl, dazzling white teeth and a sweet smile. She wears cheap earrings, a necklace of beads and metal, and a slight ring on one hand; her finger-nails and the palms of her little hands are stained with henna. For dress she has a sort of shawl used as a head-veil, and an ample outer-garment, a mantle of dark-blue cotton, ornamented down the front seams with colored beads—a coquettish touch that connects her with her sisters of the ancient régime who seem to have used the cylindrical blue bead even more profusely than ladies now-a-day the jet “bugles,” in dress trimming. I fear the pretty heathen is beginning to be aware of her attractions.
The girls run patiently beside us or wait for us at the temples all day, bruising their feet on the stony ways, getting nothing to eat unless we give them something, chatting cheerfully, smiling at us and using their little stock of English to gain our good will, constantly ready with their koollehs, and say nothing of backsheesh until they are about to leave us at night and go to their homes. But when they begin to ask, and get a copper or two, they beg with a mixture of pathos and anxiety and a use of the pronouns that is irresistible.
“You tired. Plenty backsheesh for little girl. Yes.”
“Why don't you give us backsheesh? We are tired too,” we reply.
“Yes. Me give you backsheesh you tired all day.”