“Yes, I know, are sometimes hardest to bear. Well, it is lovely, ideal, but it seems to me you are still a little too afraid of human nature. You are afraid to say things that are common. And the deep things of life are pretty much all common. No, don't interrupt me. I love the story just as it is. I am glad you wrote it as you did. It was natural, in your state of experience, that you should do it. But in your next, having got rid of what was on top of your mind, so to speak, you will take a firmer, more confident hold of life. You are not offended?”
“No, indeed,” cried Philip. “I am very grateful. No doubt you are right. It seems to me, now that I am detached from it, as if it were only a sort of prelude to something else.”
“Well, you must not let my single opinion influence you too much, for I must in honesty tell you another thing. Evelyn will not have a word of criticism of it. She says it is like a piece of music, and the impudent thing declares that she does not expect a Scotchwoman to understand anything but ballad music.”
Philip laughed at this, such a laugh as he had not indulged in for many days. “I hope you don't quarrel about such a little thing.”
“Not seriously. She says I may pick away at the story—and I like to see her bristle up—but that she looks at the spirit.”
“God bless her,” said Philip under his breath.
Miss McDonald rose, and they walked out into the Avenue again. How delightful was the genial air, the light, the blue sky of spring! How the brilliant Avenue, now filling up with afternoon equipages, sparkled in the sunshine!
When they parted, Miss McDonald gave him her hand and held his a moment, looking into his eyes. “Mr. Burnett, authors need some encouragement. When I left Evelyn she was going to her room with your book in her hand.”