“Celia Howard? Did she wonder where I was?”
“I don't know. She didn't say anything about it. What a dear little thing she is!”
“And she can say pretty cutting things.”
“Oh, can she? Perhaps you'd better run down to the village before dark and take her these flowers.”
“I'm not going. I'd rather you should have the flowers.” And Phil spoke the truth this time.
Celia, who was altogether too young to occupy seriously the mind of a lad of twelve, had nevertheless gained an ascendancy over him because of her willful, perverse, and sometimes scornful ways, and because she was different from the other girls of the school. She had read many more books than Phil, for she had access to a library, and she could tell him much of a world that he only heard of through books and newspapers, which latter he had no habit of reading. He liked, therefore, to be with Celia, not withstanding her little airs of superiority, and if she patronized him, as she certainly did, probably the simple-minded young gentleman, who was unconsciously bred in the belief that he and his own kin had no superiors anywhere, never noticed it. To be sure they quarreled a good deal, but truth to say Phil was never more fascinated with the little witch, whom he felt himself strong enough to protect, than when she showed a pretty temper. He rather liked to be ordered about by the little tyrant. And sometimes he wished that Murad Ault, the big boy of the school, would be rude to the small damsel, so that he could show her how a knight would act under such circumstances. Murad Ault stood to Phil for the satanic element in his peaceful world. He was not only big and strong of limb and broad of chest, but he was very swarthy, and had closely curled black hair. He feared nothing, not even the teacher, and was always doing some dare-devil thing to frighten the children. And because he was dark, morose, and made no friends, and wished none, but went solitary his own dark way, Phil fancied that he must have Spanish blood in his veins, and would no doubt grow up to be a pirate. No other boy in the winter could skate like Murad Ault, with such strength and grace and recklessness—thin ice and thick ice were all one to him, but he skated along, dashing in and out, and sweeping away up and down the river in a whirl of vigor and daring, like a black marauder. Yet he was best and most awesome in the swimming pond in summer—though it was believed that he dared go in in the bitter winter, either by breaking the ice or through an air-hole, and there was a story that he had ventured under the ice as fearless as a cold fish. No one could dive from such a height as he, or stay so long under water; he liked to stay under long enough to scare the spectators, and then appear at a distance, thrashing about in the water as if he were rescuing himself from drowning, sputtering out at the same time the most diabolical noises—curses, no doubt, for he had been heard to swear. But as he skated alone he swam alone, appearing and disappearing at the swimming-place silently, with never a salutation to any one. And he was as skillful a fisher as he was a swimmer. No one knew much about him. He lived with his mother in a little cabin up among the hills, that had about it scant patches of potatoes and corn and beans, a garden fenced in by stumproots, as ill-cared for as the shanty. Where they came from no one knew. How they lived was a matter of conjecture, though the mother gathered herbs and berries and bartered them at the village store, and Murad occasionally took a hand in some neighbor's hay-field, or got a job of chopping wood in the winter. The mother was old and small and withered, and they said evil-eyed. Probably she was no more evil-eyed than any old woman who had such a hard struggle for existence as she had. An old widow with an only son who looked like a Spaniard and acted like an imp! Here was another sort of exotic in the New England life.
Celia had been brought to Rivervale by her mother about a year before this time, and the two occupied a neat little cottage in the village, distinguished only by its neatness and a plot of syringas, and pinks, and marigolds, and roses, and bachelor's-buttons, and boxes of the tough little exotics, called “hen-and-chickens,” in the door-yard, and a vigorous fragrant honeysuckle over the front porch. She only dimly remembered her father, who had been a merchant in a small way in the city, and dying left to his widow and only child a very moderate fortune. The girl showed early an active and ingenious mind, and an equal love for books and for having her own way; but she was delicate, and Mrs. Howard wisely judged that a few years in a country village would improve her health and broaden her view of life beyond that of cockney provincialism. For, though Mrs. Howard had more refinement than strength of mind, and passed generally for a sweet and inoffensive little woman, she did not lack a certain true perception of values, due doubtless to the fact that she had been a New England girl, and, before her marriage and emigration to the great city, had passed her life among unexciting realities, and among people who had leisure to think out things in a slow way. But the girl's energy and self-confidence had no doubt been acquired from her father, who was cut off in mid-career of his struggle for place in the metropolis, or from some remote ancestor. Before she was eleven years old her mother had listened with some wonder and more apprehension to the eager forecast of what this child intended to do when she became a woman, and already shrank from a vision of Celia on a public platform, or the leader of some metempsychosis club. Through her affections only was the child manageable, but in opposition to her spirit her mother was practically powerless. Indeed, this little sprout of the New Age always spoke of her to Philip and to the Maitlands as “little mother.”
The epithet seemed peculiarly tender to Philip, who had lost his father before he was six years old, and he was more attracted to the timid and gentle little widow than to his equable but more robust Aunt Eusebia, Mrs. Maitland, his father's elder sister, whom Philip fancied not a bit like his father except in sincerity, a quality common to the Maitlands and Burnetts. Yet there was a family likeness between his aunt and a portrait of his father, painted by a Boston artist of some celebrity, which his mother, who survived her husband only three years, had saved for her boy. His father was a farmer, but a man of considerable cultivation, though not college-bred—his last request on his death-bed was that Phil should be sent to college—a man who made experiments in improving agriculture and the breed of cattle and horses, read papers now and then on topics of social and political reform, and was the only farmer in all the hill towns who had what might be called a library.
It was all scattered at the time of the winding up of the farm estate, and the only jetsam that Philip inherited out of it was an annotated copy of Adam Smith's Wealth of Nations, Young's Travels in France, a copy of The Newcomes, and the first American edition of Childe Harold. Probably these odd volumes had not been considered worth any considerable bid at the auction. From his mother, who was fond of books, and had on more than one occasion, of the failure of teachers, taught in the village school in her native town before her marriage, Philip inherited his love of poetry, and he well remembered how she used to try to inspire him with patriotism by reading the orations of Daniel Webster (she was very fond of orations), and telling him war stories about Grant and Sherman and Sheridan and Farragut and Lincoln. He distinctly remembered also standing at her knees and trying, at intervals, to commit to memory the Rime of the Ancient Mariner. He had learned it all since, because he thought it would please his mother, and because there was something in it that appealed to his coming sense of the mystery of life. When he repeated it to Celia, who had never heard of it, and remarked that it was all made up, and that she never tried to learn a long thing like that that wasn't so, Philip could see that her respect for him increased a little. He did not know that the child got it out of the library the next day and never rested till she knew it by heart. Philip could repeat also the books of the Bible in order, just as glibly as the multiplication-table, and the little minx, who could not brook that a country boy should be superior to her in anything, had surprised her mother by rattling them all off to her one Sunday evening, just as if she had been born in New England instead of in New York. As to the other fine things his mother read him, out of Ruskin and the like; Philip chiefly remembered what a pretty glow there was in his mother's face when she read them, and that recollection was a valuable part of the boy's education.
Another valuable part of his education was the gracious influence in his aunt's household, the spirit of candor, of affection, and the sane common-sense with which life was regarded, the simplicity of its faith and the patience with which trials were borne. The lessons he learned in it had more practical influence in his life than all the books he read. Nor were his opportunities for the study of character so meagre as the limit of one family would imply. As often happens in New England households, individualities were very marked, and from his stern uncle and his placid aunt down to the sweet and nimble-witted Alice, the family had developed traits and even eccentricities enough to make it a sort of microcosm of life. There, for instance, was Patience, the maiden aunt, his father's sister, the news-monger of the fireside, whose powers of ratiocination first gave Philip the Greek idea and method of reasoning to a point and arriving at truth by the process of exclusion. It did not excite his wonder at the time, but afterwards it appeared to him as one of the New England eccentricities of which the novelists make so much. Patience was a home-keeping body and rarely left the premises except to go to church on Sunday, although her cheerfulness and social helpfulness were tinged by nothing morbid. The story was—Philip learned it long afterwards—that in her very young and frisky days Patience had one evening remained out at some merry-making very late, and in fact had been escorted home in the moonlight by a young gentleman when the tall, awful-faced clock, whose face her mother was watching, was on the dreadful stroke of eleven. For this delinquency her mother had reproved her, the girl thought unreasonably, and she had quickly replied, “Mother, I will never go out again.” And she never did. It was in fact a renunciation of the world, made apparently without rage, and adhered to with cheerful obstinacy.