“But he has no influence. He is nothing socially,” said Carmen.
“Neither is a wolf or a cyclone. But I don't care to talk about him. Don't you see, I don't want to be bothered?”
While these great events were taking place Philip was enjoying all the tremors and delights of expectation which attend callow authorship. He did not expect much, he said to himself, but deep down in his heart there was that sweet hope, which fortunately always attends young writers, that his would be an exceptional experience in the shoal of candidates for fame, and he was secretly preparing himself not to be surprised if he should “awake one morning and find himself famous.”
The first response was from Celia. She wrote warm-heartedly. She wrote at length, analyzing the characters, recalling the striking scenes, and praising without stint the conception and the working out of the character of the heroine. She pointed out the little faults of construction and of language, and then minimized them in comparison with the noble motive and the unity and beauty of the whole. She told Philip that she was proud of him, and then insisted that, when his biography, life, and letters was published, it would appear, she hoped, that his dear friend had just a little to do with inspiring him. It was exactly the sort of letter an author likes to receive, critical, perfectly impartial, and with entire understanding of his purpose. All the author wants is to be understood.
The letter from Alice was quite of another sort, a little shy in speaking of the story, but full of affection. “Perhaps, dear Phil,” she wrote, “I ought not to tell you how much I like it, how it quite makes me blush in its revelation of the secrets of a New England girl's heart. I read it through fast, and then I read it again slowly. It seemed better even the second time. I do think, Phil, it is a dear little book. Patience says she hopes it will not become common; it is too fine to be nosed about by the ordinary. I suppose you had to make it pathetic. Dear me! that is just the truth of it. Forgive me for writing so freely. I hope it will not be long before we see you. To think it is done by little Phil!”
The most eagerly expected acknowledgment was, however, a disappointment. Philip knew Mrs. Mavick too well by this time to expect a letter from her daughter, but there might have been a line. But Mrs. Mavick wrote herself. Her daughter, she said, had asked her to acknowledge the receipt of his very charming story. When he had so many friends it was very thoughtful in him to remember the acquaintances of last summer. She hoped the book would have the success it deserved.
This polite note was felt to be a slap in the face, but the effect of it was softened a little later by a cordial and appreciative letter from Miss McDonald, telling the author what great delight and satisfaction they had had in reading it, and thanking him for a prose idyl that showed in the old-fashioned way that common life was not necessarily vulgar.
The critics seemed to Philip very slow in letting the public know of the birth of the book. Presently, however, the little notices, all very much alike, began to drop along, longer or shorter paragraphs, commonly in undiscriminating praise of the beauty of the story, the majority of them evidently written by reviewers who sat down to a pile of volumes to be turned off, and who had not more than five or ten minutes to be lost. Rarely, however, did any one condemn it, and that showed that it was harmless. Mr. Brad had given it quite a lift in the Spectrum. The notice was mainly personal—the first work of a brilliant young man at the bar who was destined to go high in his profession, unless literature should, fortunately for the public, have stronger attractions for him. That such a country idyl should be born amid law-books was sufficiently remarkable. It was an open secret that the scene of the story was the birthplace of the author—a lovely village that was brought into notice a summer ago as the chosen residence of Thomas Mavick and his family.
Eagerly looked for at first, the newspaper notices soon palled upon Philip, the uniform tone of good-natured praise, unanimous in the extravagance of unmeaning adjectives. Now and then he welcomed one that was ill-natured and cruelly censorious. That was a relief. And yet there were some reviews of a different sort, half a dozen in all, and half of them from Western journals, which took the book seriously, saw its pathos, its artistic merit, its failure of construction through inexperience. A few commended it warmly to readers who loved ideal purity and could recognize the noble in common life. And some, whom Philip regarded as authorities, welcomed a writer who avoided sensationalism, and predicted for him an honorable career in letters, if he did not become self-conscious and remained true to his ideals. The book clearly had not made a hit, the publishers had sold one edition and ordered half another, and no longer regarded the author as a risk. But, better than this, the book had attracted the attention of many lovers of literature. Philip was surprised day after day by meeting people who had read it. His name began to be known in a small circle who are interested in the business, and it was not long before he had offers from editors, who were always on the lookout for new writers of promise, to send something for their magazines. And, perhaps more flattering than all, he began to have society invitations to dine, and professional invitations to those little breakfasts that publishers give to old writers and to young whose names are beginning to be spoken of. All this was very exhilarating and encouraging. And yet Philip was not allowed to be unduly elated by the attention of his fellow-craftsmen, for he soon found that a man's consequence in this circle, as well as with the great public, depended largely upon the amount of the sale of his book. How else should it be rated, when a very popular author, by whom Philip sat one day at luncheon, confessed that he never read books?
“So,” said Mr. Sharp, one morning, “I see you have gone into literature, Mr. Burnett.”