It was after half-past nine when the great festivities at the Deacon's broke up, and John walked home with Cynthia over the shining crust and under the stars. It was mostly a silent walk, for this was also an occasion when it is difficult to find anything fit to say. And John was thinking all the way how he should bid Cynthia good- night; whether it would do and whether it wouldn't do, this not being a game, and no forfeits attaching to it. When they reached the gate, there was an awkward little pause. John said the stars were uncommonly bright. Cynthia did not deny it, but waited a minute and then turned abruptly away, with "Good-night, John!"
"Good-night, Cynthia!"
And the party was over, and Cynthia was gone, and John went home in a kind of dissatisfaction with himself.
It was long before he could go to sleep for thinking of the new world opened to him, and imagining how he would act under a hundred different circumstances, and what he would say, and what Cynthia would say; but a dream at length came, and led him away to a great city and a brilliant house; and while he was there, he heard a loud rapping on the under floor, and saw that it was daylight.
XIV
THE SUGAR CAMP
I think there is no part of farming the boy enjoys more than the making of maple sugar; it is better than "blackberrying," and nearly as good as fishing. And one reason he likes this work is, that somebody else does the most of it. It is a sort of work in which he can appear to be very active, and yet not do much.
And it exactly suits the temperament of a real boy to be very busy about nothing. If the power, for instance, that is expended in play by a boy between the ages of eight and fourteen could be applied to some industry, we should see wonderful results. But a boy is like a galvanic battery that is not in connection with anything; he generates electricity and plays it off into the air with the most reckless prodigality. And I, for one, would n't have it otherwise. It is as much a boy's business to play off his energies into space as it is for a flower to blow, or a catbird to sing snatches of the tunes of all the other birds.
In my day maple-sugar-making used to be something between picnicking and being shipwrecked on a fertile island, where one should save from the wreck tubs and augers, and great kettles and pork, and hen's eggs and rye-and-indian bread, and begin at once to lead the sweetest life in the world. I am told that it is something different nowadays, and that there is more desire to save the sap, and make good, pure sugar, and sell it for a large price, than there used to be, and that the old fun and picturesqueness of the business are pretty much gone. I am told that it is the custom to carefully collect the sap and bring it to the house, where there are built brick arches, over which it is evaporated in shallow pans, and that pains is taken to keep the leaves, sticks, and ashes and coals out of it, and that the sugar is clarified; and that, in short, it is a money-making business, in which there is very little fun, and that the boy is not allowed to dip his paddle into the kettle of boiling sugar and lick off the delicious sirup. The prohibition may improve the sugar, but it is cruel to the boy.
As I remember the New England boy (and I am very intimate with one), he used to be on the qui vive in the spring for the sap to begin running. I think he discovered it as soon as anybody. Perhaps he knew it by a feeling of something starting in his own veins,—a sort of spring stir in his legs and arms, which tempted him to stand on his head, or throw a handspring, if he could find a spot of ground from which the snow had melted. The sap stirs early in the legs of a country-boy, and shows itself in uneasiness in the toes, which get tired of boots, and want to come out and touch the soil just as soon as the sun has warmed it a little. The country-boy goes barefoot just as naturally as the trees burst their buds, which were packed and varnished over in the fall to keep the water and the frost out. Perhaps the boy has been out digging into the maple-trees with his jack-knife; at any rate, he is pretty sure to announce the discovery as he comes running into the house in a great state of excitement—as if he had heard a hen cackle in the barn—with "Sap's runnin'!"