The Golden House

by Charles Dudley Warner

“But, I tell you,” he continued, “Mrs. Henderson has caught on to the new notions. Her idea is the union of all the arts. She has already got the refusal of a square 'way up-town, on the rise opposite the Park, and has been consulting architects about it. It is to be surrounded with the building, with a garden in the interior, a tropical garden, under glass in the winter. The facades are to be gorgeous and monumental. Artists and sculptors are to decorate it, inside and out. Why shouldn't there be color on the exterior, gold and painting, like the Fugger palaces in Augsburg, only on a great scale? The artists don't see any reason why there should not. It will make the city brilliant, that sort of thing, in place of our monotonous stone lanes. And it's using her wealth for the public benefit-the architects and artists all say that. Gad, I don't know but the little woman is beginning to regard herself as a public benefactor.”

“She is that or nothing,” echoed the Major, warmly.

“And do you know,” continued Jack, confidentially, “I think she's got the right idea. If I have any luck—of course I sha'n't do that—but if I have any luck, I mean to build a house that's got some life in it—color, old boy—something unique and stunning.”

“So you will,” cried the Major, enthusiastically, and, raising his glass, “Here's to the house that Jack built!”

It was later than he thought it would be when he went home, but Jack was attended all the way by a vision of a Golden House—all gold wouldn't be too good, and he will build it, damme, for Edith and the boy. The next morning not even the foundations of this structure were visible. The master of the house came down to a late breakfast, out of sorts with life, almost surly. Not even Edith's bright face and fresh toilet and radiant welcome appealed to him. No one would have thought from her appearance that she had waited for him last night hour after hour, and had at last gone to bed with a heavy heart, and not to sleep-to toss, and listen, and suffer a thousand tortures of suspense. How many tragedies of this sort are there nightly in the metropolis, none the less tragic because they are subjects of jest in the comic papers and on the stage! What would be the condition of social life if women ceased to be anxious in this regard, and let loose the reins in an easy-going indifference? What, in fact, is the condition in those households where the wives do not care? One can even perceive a tender sort of loyalty to women in the ejaculation of that battered old veteran, the Major, “Thank God, there's nobody sitting up for me!”

Jack was not consciously rude. He even asked about the baby. And he sipped his coffee and glanced over the morning journal, and he referred to the conversation of the night before, and said that he would look after the purchase at once. If Edith had put on an aspect of injury, and had intimated that she had hoped that his first evening at home might have been devoted to her and the boy, there might have been a scene, for Jack needed only an occasion to vent his discontent. And for the chronicler of social life a scene is so much easier to deal with, an outburst of temper and sharp language, of accusation and recrimination, than the well-bred commonplace of an undefined estrangement.

And yet estrangement is almost too strong a word to use in Jack's case. He would have been the first to resent it. But the truth was that Edith, in the life he was leading, was a rebuke to him; her very purity and unworldliness were out of accord with his associations, with his ventures, with his dissipations in that smart and glittering circle where he was more welcome the more he lowered his moral standards. Could he help it if after the first hours of his return he felt the restraint of his home, and that the life seemed a little flat? Almost unconsciously to himself, his interests and his inclinations were elsewhere.

Edith, with the divination of a woman, felt this. Last night her love alone seemed strong enough to hold him, to bring him back to the purposes and the aspirations that only last summer had appeared to transform him. Now he was slipping away again. How pitiful it is, this contest of a woman who has only her own love, her own virtue, with the world and its allurements and seductions, for the possession of her husband's heart! How powerless she is against these subtle invitations, these unknown and all-encompassing temptations! At times the whole drift of life, of the easy morality of the time, is against her. The current is so strong that no wonder she is often swept away in it. And what could an impartial observer of things as they are say otherwise than that John Delancy was leading the common life of his kind and his time, and that Edith was only bringing trouble on herself by being out of sympathy with it?